Landscape Painting and Modern Dutch Artists |
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The same scene might be painted by Ruysdael and Hobbema , by Constable
and Turner , by Daubigny and Rousseau , and each picture would take on the
spirit of the individual artist , and give the observer very different ideas of identical
...
The same scene might be painted by Ruysdael and Hobbema , by Constable
and Turner , by Daubigny and Rousseau , and each picture would take on the
spirit of the individual artist , and give the observer very different ideas of identical
...
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Looked at from the observer ' s point of view , the first effect produced by a good
picture on anyone commencing this study is a generally pleasing impression of
harmonious colour and of interesting subject . Some people perceive the quality
of ...
Looked at from the observer ' s point of view , the first effect produced by a good
picture on anyone commencing this study is a generally pleasing impression of
harmonious colour and of interesting subject . Some people perceive the quality
of ...
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... think , and they find out by experience that this something they feel is the
thought and individuality of the artist , impressed by him on the picture as he
painted it , and expressed by it and revealed in some inexplicable way to the
observer .
... think , and they find out by experience that this something they feel is the
thought and individuality of the artist , impressed by him on the picture as he
painted it , and expressed by it and revealed in some inexplicable way to the
observer .
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m All pictures that stop short of this ideal , and do not create in the observer
feelings which have the power to stir his imagination , are not on the highest
plane of art . They may have a value for decorative purposes and as showing the
way in ...
m All pictures that stop short of this ideal , and do not create in the observer
feelings which have the power to stir his imagination , are not on the highest
plane of art . They may have a value for decorative purposes and as showing the
way in ...
Página 34
ends , they show to us their distinct individual interpretations , unconsciously
revealing , through the gift of imagination , the effect produced on their own
feelings , and awakening a responsiye echo in the observers . CHAPTER III
VARIOUS ...
ends , they show to us their distinct individual interpretations , unconsciously
revealing , through the gift of imagination , the effect produced on their own
feelings , and awakening a responsiye echo in the observers . CHAPTER III
VARIOUS ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |