Landscape Painting and Modern Dutch Artists |
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Página 46
Ogreat and distinct aims — the first to induce in the spectator ' s mind the faithful
conception of natural objects , and the second to inform him of the thoughts and
feelings with which they were regarded by the artist himself . The artist talks to
him ...
Ogreat and distinct aims — the first to induce in the spectator ' s mind the faithful
conception of natural objects , and the second to inform him of the thoughts and
feelings with which they were regarded by the artist himself . The artist talks to
him ...
Página 49
There is one gift indispensable to all artists ; no study , no degree of patience ,
supplies its place . In confronting objects the artist must experience original
sensation ; the character of an object strikes him and the effect of VARIOUS
OPINIONS ...
There is one gift indispensable to all artists ; no study , no degree of patience ,
supplies its place . In confronting objects the artist must experience original
sensation ; the character of an object strikes him and the effect of VARIOUS
OPINIONS ...
Página 50
character of an object strikes him and the effect of this sensation is a strong
peculiar impression . . . . Through this faculty he penetrates to the very heart of
things , and seems to be more clear sighted than other men . . . . The end of a
work of art ...
character of an object strikes him and the effect of this sensation is a strong
peculiar impression . . . . Through this faculty he penetrates to the very heart of
things , and seems to be more clear sighted than other men . . . . The end of a
work of art ...
Página 53
In the following extracts from the same book , it must be remembered that it is not
one of those merely literary critics that painters object to ( and perhaps with some
reason if they have no knowledge of art practically and so cannot discuss that ...
In the following extracts from the same book , it must be remembered that it is not
one of those merely literary critics that painters object to ( and perhaps with some
reason if they have no knowledge of art practically and so cannot discuss that ...
Página 58
I think the majority are satisfied it is the faithful copying of objects or individuals .
From the earliest times we find writers on art extolling paintings , not because
they said something , but because they were deceptively lifelike . Zeuxes painted
...
I think the majority are satisfied it is the faithful copying of objects or individuals .
From the earliest times we find writers on art extolling paintings , not because
they said something , but because they were deceptively lifelike . Zeuxes painted
...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |