Landscape Painting and Modern Dutch Artists |
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Página
A picture can never give this . “ Who can paint “ The Like nature ? Can
imagination boast , Seasons . Amid its gay creation , hues like hers ? Spring . "
James Or can it mix them with that matchless skill , Thomson . And lose them in
each other ...
A picture can never give this . “ Who can paint “ The Like nature ? Can
imagination boast , Seasons . Amid its gay creation , hues like hers ? Spring . "
James Or can it mix them with that matchless skill , Thomson . And lose them in
each other ...
Página 6
continued to excel , but never again , from the Vol . III . Chap . I . days of the early
Renaissance , has it been J . A . Syable to express the ideas that dominated the
world at any time , as Giotto and his followers represented the religious and ...
continued to excel , but never again , from the Vol . III . Chap . I . days of the early
Renaissance , has it been J . A . Syable to express the ideas that dominated the
world at any time , as Giotto and his followers represented the religious and ...
Página 6
Titiane ' and Tintoretto ? continue the work of 01477 - 1576 . Giorgione , and
reach the highest point , up ' 15 to their time , in depicting nature . Titian ' s early
life was passed in the Cadore country , and he never forgot the scenery amid
which ...
Titiane ' and Tintoretto ? continue the work of 01477 - 1576 . Giorgione , and
reach the highest point , up ' 15 to their time , in depicting nature . Titian ' s early
life was passed in the Cadore country , and he never forgot the scenery amid
which ...
Página 9
1888 are sufficient for their end , but the sun never edition . plunges behind San
Giorgio in Aliga without such retinue of radiant cloud , such rest of zoned light on
the green lagoon , as never received image from his hand . More than this , of ...
1888 are sufficient for their end , but the sun never edition . plunges behind San
Giorgio in Aliga without such retinue of radiant cloud , such rest of zoned light on
the green lagoon , as never received image from his hand . More than this , of ...
Página 18
Ruysdael is the first to hear the plaintive minor chord in the harmony that rises
from the earth and to feel the restless , never satisfied spirit which has become so
dominant a factor in modern thought and feeling . He brings into landscape ...
Ruysdael is the first to hear the plaintive minor chord in the harmony that rises
from the earth and to feel the restless , never satisfied spirit which has become so
dominant a factor in modern thought and feeling . He brings into landscape ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |