Landscape Painting and Modern Dutch Artists |
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Chap I . he ingeniously observes that although fields P . G . Hamand farms
belong to this man or that , the land - erton . scape is nobody ' s private property .
” It is a real and lasting possession for all who can enjoy it . Its universality , its ...
Chap I . he ingeniously observes that although fields P . G . Hamand farms
belong to this man or that , the land - erton . scape is nobody ' s private property .
” It is a real and lasting possession for all who can enjoy it . Its universality , its ...
Página 9
E. B. Greenshields, John Ruskin, John Addington Symonds. en Ruskin
expresses his surprise that Titian and Tintoretto did not more fully realize that the
beauties of the scenery of their native land were subjects in every way worthy of
their art .
E. B. Greenshields, John Ruskin, John Addington Symonds. en Ruskin
expresses his surprise that Titian and Tintoretto did not more fully realize that the
beauties of the scenery of their native land were subjects in every way worthy of
their art .
Página 18
He seems to have painted these scenes of a fairy land where all are happy , and
where sorrow and suffering enter not , as a contrast to his own experience and as
a relief to his distressed heart . Then the genius of art touches Constable ?
He seems to have painted these scenes of a fairy land where all are happy , and
where sorrow and suffering enter not , as a contrast to his own experience and as
a relief to his distressed heart . Then the genius of art touches Constable ?
Página 25
... works of art that are still the wonder of the world were produced by Pheidias
and the other artists of the brilliant age of Pericles . Such a period is seen in Italy
after the dark ages , when the revival of learning spread through the land and the
...
... works of art that are still the wonder of the world were produced by Pheidias
and the other artists of the brilliant age of Pericles . Such a period is seen in Italy
after the dark ages , when the revival of learning spread through the land and the
...
Página 26
E. B. Greenshields, John Ruskin, John Addington Symonds. of learning spread
through the land and the long line of artists from Cimabue to Tintoretto was its
chief glory . Later , in the north , came the fight for freedom of thought , when
Caxton ...
E. B. Greenshields, John Ruskin, John Addington Symonds. of learning spread
through the land and the long line of artists from Cimabue to Tintoretto was its
chief glory . Later , in the north , came the fight for freedom of thought , when
Caxton ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |