Landscape Painting and Modern Dutch Artists |
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It cannot imitate nature . If it tries to do this it must fail , and give but a weak
reflection of nature ' s inimitable pictures . But it can give , and it does give , in a
very direct and sympathetic way , the effect produced on the artist by nature . It is
the ...
It cannot imitate nature . If it tries to do this it must fail , and give but a weak
reflection of nature ' s inimitable pictures . But it can give , and it does give , in a
very direct and sympathetic way , the effect produced on the artist by nature . It is
the ...
Página 12
On the contrary his pictures are full of thought , and he describes painting as “ an
image of things incorporeal rendered sensible through imitation of form . ” He
considers that the idea should first be conceived clearly , and then reproduced by
...
On the contrary his pictures are full of thought , and he describes painting as “ an
image of things incorporeal rendered sensible through imitation of form . ” He
considers that the idea should first be conceived clearly , and then reproduced by
...
Página 45
... that his theories only apply to minor matters , and he gives expression to his
thoughts in such fine passages as these : 1 “ Modern landscape painters ,
rejecting all 1 “ Modern idea of bona fide imitation , think only of con - Tanner in
Painters .
... that his theories only apply to minor matters , and he gives expression to his
thoughts in such fine passages as these : 1 “ Modern landscape painters ,
rejecting all 1 “ Modern idea of bona fide imitation , think only of con - Tanner in
Painters .
Página 49
Must we conclude that absolutely exact imitation is the end of art ? If this were so ,
absolutely exact imitation would produce the finest works ” . . . “ But in fact it is not
so . Art is intellectual , not mechanical ” . . . “ The province of art is to render the ...
Must we conclude that absolutely exact imitation is the end of art ? If this were so ,
absolutely exact imitation would produce the finest works ” . . . “ But in fact it is not
so . Art is intellectual , not mechanical ” . . . “ The province of art is to render the ...
Página 56
When I grew weary with the futile struggle to imitate the canvases of the past , I
went out into the fields . In my desire to be accurate I became lost in a maze of
detail . Try as I would my colours were not those of nature . My leaves were
infinitely ...
When I grew weary with the futile struggle to imitate the canvases of the past , I
went out into the fields . In my desire to be accurate I became lost in a maze of
detail . Try as I would my colours were not those of nature . My leaves were
infinitely ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |