Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
Dentro del libro
Resultados 1-5 de 28
Página xi
... drawing atten- tion to a source of pleasure open to all , and that it will help to encourage a taste for it by trying to show what should be looked for and what should be found in pictures . In support of the views expressed I have ...
... drawing atten- tion to a source of pleasure open to all , and that it will help to encourage a taste for it by trying to show what should be looked for and what should be found in pictures . In support of the views expressed I have ...
Página xiii
... drawing of form , the skilful use of colour , the attainment of perfect tone , the composition of graceful lines and well balanced masses , all the technical side of the subject . But it must not be for- gotten that while there is great ...
... drawing of form , the skilful use of colour , the attainment of perfect tone , the composition of graceful lines and well balanced masses , all the technical side of the subject . But it must not be for- gotten that while there is great ...
Página 7
... drawing of grass , flower , and tree in every detail . ( See Plate 4. ) But it is the Venetian school that makes the nearest approach to modern ideas . The little vistas of country in Bellini's work are $ 1426-1516 . beautiful , and ...
... drawing of grass , flower , and tree in every detail . ( See Plate 4. ) But it is the Venetian school that makes the nearest approach to modern ideas . The little vistas of country in Bellini's work are $ 1426-1516 . beautiful , and ...
Página 8
... draw- ing , without any figures in it , of a scene in the Cadore country . A wood of great trees is shown on the left , reminding one of Rous- seau's oaks on the edge of a forest , and to the right there is seen open country with ...
... draw- ing , without any figures in it , of a scene in the Cadore country . A wood of great trees is shown on the left , reminding one of Rous- seau's oaks on the edge of a forest , and to the right there is seen open country with ...
Página 40
... drawing was the same , that is to say , the general make of things , but each man had involuntarily looked upon what was most interesting to him in the whole sight . The colour of each painting was dif- ferent , and each picture would ...
... drawing was the same , that is to say , the general make of things , but each man had involuntarily looked upon what was most interesting to him in the whole sight . The colour of each painting was dif- ferent , and each picture would ...
Otras ediciones - Ver todas
Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear ASTOR atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Delacroix Eugène Fromentin expression feeling figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter landscape painting LENOX AND TILDEN light living look masters Matthew Maris ment mind modern Dutch moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical things thou thought tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder YORK PUBLIC LIBRARY