Landscape Painting and Modern Dutch Artists |
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Página 31
It is commonly said that Dutch art is realistic and positive , but in reality its charm
and greatness lies in the fact that it idealizes the actual . There is an imaginative
power about their work that is far more haunting than the more obvious ...
It is commonly said that Dutch art is realistic and positive , but in reality its charm
and greatness lies in the fact that it idealizes the actual . There is an imaginative
power about their work that is far more haunting than the more obvious ...
Página 61
The object of true art is only to charm m w . J . Stillthe imagination , not to deceive
the eye . When man . we see a good portrait we say , ' It is alive ! ' In other words ,
our imagination lends it life . We see what is given us , and we give on our side ...
The object of true art is only to charm m w . J . Stillthe imagination , not to deceive
the eye . When man . we see a good portrait we say , ' It is alive ! ' In other words ,
our imagination lends it life . We see what is given us , and we give on our side ...
Página 67
fact that this is a portrait of his mother , painted by her son , gives an added charm
to the picture , and detracts in no way from it as a work of art . Without this
knowledge the painting loses a great deal of interest and does not express fully
the ...
fact that this is a portrait of his mother , painted by her son , gives an added charm
to the picture , and detracts in no way from it as a work of art . Without this
knowledge the painting loses a great deal of interest and does not express fully
the ...
Página 68
between the two that seems common property , and to deprive painting of all
literary interest would take from it one of its great charms . But whatever views are
held about this , we would like to make it very clear that the subjective view of art
is ...
between the two that seems common property , and to deprive painting of all
literary interest would take from it one of its great charms . But whatever views are
held about this , we would like to make it very clear that the subjective view of art
is ...
Página 70
and deep feeling that lay in them , until we were shown by Corot the witchery of
romance that invested his lovely mysterious corners of nature ; by Daubigny the
charm of those quiet reaches of water ; by William Maris the light falling in brilliant
...
and deep feeling that lay in them , until we were shown by Corot the witchery of
romance that invested his lovely mysterious corners of nature ; by Daubigny the
charm of those quiet reaches of water ; by William Maris the light falling in brilliant
...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |