Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página 18
... changed his painting , " The Massacre of Scio , " which was at the time being exhibited . And in 1847 he writes : " Constable dit que la superiorité du vert de ses prairies tient à ce qu'il est un composé d'une multitude de verts ...
... changed his painting , " The Massacre of Scio , " which was at the time being exhibited . And in 1847 he writes : " Constable dit que la superiorité du vert de ses prairies tient à ce qu'il est un composé d'une multitude de verts ...
Página 31
E. B. Greenshields. tury so alive ; the same spirit but the environ- ment changed . And so it is not the aim of these masters to emulate or copy the great men of a past age . They are full of modern ideas and endeavour to solve the ...
E. B. Greenshields. tury so alive ; the same spirit but the environ- ment changed . And so it is not the aim of these masters to emulate or copy the great men of a past age . They are full of modern ideas and endeavour to solve the ...
Página 36
... changed as its varied scenes pass through the alembic of the artist's imagination ere he bodies them forth on his canvas . There needs must be both realism and idealism in art , but the former should be subordinate to the latter . There ...
... changed as its varied scenes pass through the alembic of the artist's imagination ere he bodies them forth on his canvas . There needs must be both realism and idealism in art , but the former should be subordinate to the latter . There ...
Página 41
... changed the shape of " Land- another . In literal and exact truth he was scape . " wrong , but Hamerton realized that his own fidelity to nature had only produced a topo- graphical picture and did impression made on him . " made on him ...
... changed the shape of " Land- another . In literal and exact truth he was scape . " wrong , but Hamerton realized that his own fidelity to nature had only produced a topo- graphical picture and did impression made on him . " made on him ...
Página 52
... absolute , textual truth . Photographic studies as to the effects . of light have changed the greater proportion " The Old Masters of Belgium and Hol- land . " Eugène of ways of seeing , feeling , and painting . 52 LANDSCAPE PAINTING.
... absolute , textual truth . Photographic studies as to the effects . of light have changed the greater proportion " The Old Masters of Belgium and Hol- land . " Eugène of ways of seeing , feeling , and painting . 52 LANDSCAPE PAINTING.
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Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear ASTOR atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Delacroix Eugène Fromentin expression feeling figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter landscape painting LENOX AND TILDEN light living look masters Matthew Maris ment mind modern Dutch moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical things thou thought tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder YORK PUBLIC LIBRARY