Landscape Painting and Modern Dutch Artists |
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James Maris . . . . CHAPTER IX . Anton Mauve . . CHAPTER X . Matthew Maris
CHAPTER XI . William Maris . . . . . . . . . . CHAPTER XII . J . H . Weissenbruch . . . .
. . . . . 182 APPENDIX The Opinions of John Ruskin on various artists 205 The ...
James Maris . . . . CHAPTER IX . Anton Mauve . . CHAPTER X . Matthew Maris
CHAPTER XI . William Maris . . . . . . . . . . CHAPTER XII . J . H . Weissenbruch . . . .
. . . . . 182 APPENDIX The Opinions of John Ruskin on various artists 205 The ...
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Matthew Maris . . 164 XXXVI . The Ox Cart . . . . . Matthew Maris XXXVII . The
Dreamer . . . . Matthew Maris . . 170 XXXVIII . Milking Time at Abcoude . . William
Maris : XXXIX . River Merwerde . . . . William Maris . . 176 XL . A Cool Retreat .
Matthew Maris . . 164 XXXVI . The Ox Cart . . . . . Matthew Maris XXXVII . The
Dreamer . . . . Matthew Maris . . 170 XXXVIII . Milking Time at Abcoude . . William
Maris : XXXIX . River Merwerde . . . . William Maris . . 176 XL . A Cool Retreat .
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Anton Mauve , James Maris , Matthew Maris , William Maris , and J . H .
Weissenbruch . The appearance about fifty years ago of the works of these artists
showed a remarkable return of that strong artistic spirit whose breath made
Holland in ...
Anton Mauve , James Maris , Matthew Maris , William Maris , and J . H .
Weissenbruch . The appearance about fifty years ago of the works of these artists
showed a remarkable return of that strong artistic spirit whose breath made
Holland in ...
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And the spacious interiors of Bosboom are equally personal to him , as are the
cattle and sheep of Mauve , and the landscapes of James Maris and
Weissenbruch and the sun - lit fields of William Maris to them . This is the reason
of their ...
And the spacious interiors of Bosboom are equally personal to him , as are the
cattle and sheep of Mauve , and the landscapes of James Maris and
Weissenbruch and the sun - lit fields of William Maris to them . This is the reason
of their ...
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and deep feeling that lay in them , until we were shown by Corot the witchery of
romance that invested his lovely mysterious corners of nature ; by Daubigny the
charm of those quiet reaches of water ; by William Maris the light falling in brilliant
...
and deep feeling that lay in them , until we were shown by Corot the witchery of
romance that invested his lovely mysterious corners of nature ; by Daubigny the
charm of those quiet reaches of water ; by William Maris the light falling in brilliant
...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |