Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página 22
... great influence on those who came after him . They were the leaders of the different move- ments , that culminated in the modern art of landscape painting . CHAPTER II REVIVAL OF DUTCH ART O'Clock . " WHISTLER 22 LANDSCAPE PAINTING.
... great influence on those who came after him . They were the leaders of the different move- ments , that culminated in the modern art of landscape painting . CHAPTER II REVIVAL OF DUTCH ART O'Clock . " WHISTLER 22 LANDSCAPE PAINTING.
Página 23
E. B. Greenshields. CHAPTER II REVIVAL OF DUTCH ART O'Clock . " WHISTLER in his customary brilliant style has stated the theory that there is no such thing as a national art , but that all art is purely personal to the individuality of ...
E. B. Greenshields. CHAPTER II REVIVAL OF DUTCH ART O'Clock . " WHISTLER in his customary brilliant style has stated the theory that there is no such thing as a national art , but that all art is purely personal to the individuality of ...
Página 24
... Whistler holds that it is the individual she stays with and inspires , and when he passes away she sadly departs ... Whistler's theory that nothing is of importance 24 LANDSCAPE PAINTING.
... Whistler holds that it is the individual she stays with and inspires , and when he passes away she sadly departs ... Whistler's theory that nothing is of importance 24 LANDSCAPE PAINTING.
Página 25
E. B. Greenshields. not bear out Whistler's theory that nothing is of importance except the temperament of the artist . It shows , on the contrary , that there are times in the lives of nations when a genuine and general feeling for art ...
E. B. Greenshields. not bear out Whistler's theory that nothing is of importance except the temperament of the artist . It shows , on the contrary , that there are times in the lives of nations when a genuine and general feeling for art ...
Página 50
... Whistler speaks as if what he calls the painter quality were the only really great thing in art , it is evident to anyone who has seen those strangely personal nocturnes which PLATE XIV . - — - Potato Gatherers . Anton 50 LANDSCAPE ...
... Whistler speaks as if what he calls the painter quality were the only really great thing in art , it is evident to anyone who has seen those strangely personal nocturnes which PLATE XIV . - — - Potato Gatherers . Anton 50 LANDSCAPE ...
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Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear ASTOR atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Delacroix Eugène Fromentin expression feeling figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter landscape painting LENOX AND TILDEN light living look masters Matthew Maris ment mind modern Dutch moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical things thou thought tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder YORK PUBLIC LIBRARY