Landscape Painting and Modern Dutch Artists |
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219 INDEX · · · · · . . . . . . . . . . 225 ILLUSTRATIONS PLATE IX I . A Storm Coast of
Zeeland.
219 INDEX · · · · · . . . . . . . . . . 225 ILLUSTRATIONS PLATE IX I . A Storm Coast of
Zeeland.
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E. B. Greenshields, John Ruskin, John Addington Symonds. ILLUSTRATIONS
PLATE IX I . A Storm Coast of Zeeland . J . H . Weissenbruch Frontispiece
FACING PAGE II . Adoration of the Magi . . Hubert and Jan Van Eyck 2 III . In S .
Maria del ...
E. B. Greenshields, John Ruskin, John Addington Symonds. ILLUSTRATIONS
PLATE IX I . A Storm Coast of Zeeland . J . H . Weissenbruch Frontispiece
FACING PAGE II . Adoration of the Magi . . Hubert and Jan Van Eyck 2 III . In S .
Maria del ...
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PLATE FACING PAGE . 140 XXVII . The Anxious Family . . Josef Israels XXVIII .
Interior of a Cottage . . Josef Israels . . . 144 XXIX . The Peacock Feather . James
Maris . . . 146 XXX . The Canal Bridge . . James Maris . . . 150 XXXI . Dordrecht .
PLATE FACING PAGE . 140 XXVII . The Anxious Family . . Josef Israels XXVIII .
Interior of a Cottage . . Josef Israels . . . 144 XXIX . The Peacock Feather . James
Maris . . . 146 XXX . The Canal Bridge . . James Maris . . . 150 XXXI . Dordrecht .
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Plate II . — Adoration of the Lamb . Hubert. effect on the mind of each particular
human being who fancies that he sees something , and knows that he feels
something , when he stands in the presence of nature . His feelings are a reality ,
but ...
Plate II . — Adoration of the Lamb . Hubert. effect on the mind of each particular
human being who fancies that he sees something , and knows that he feels
something , when he stands in the presence of nature . His feelings are a reality ,
but ...
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E. B. Greenshields, John Ruskin, John Addington Symonds. Plate II . —
Adoration of the Lamb . Hubert and Jan Van Eyck . “ Essays , And F . W . H .
E. B. Greenshields, John Ruskin, John Addington Symonds. Plate II . —
Adoration of the Lamb . Hubert and Jan Van Eyck . “ Essays , And F . W . H .
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able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes