Landscape Painting and Modern Dutch Artists |
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CHAPTER X . Matthew Maris CHAPTER XI . William Maris . . . . . . . . . . CHAPTER
XII . J . H . Weissenbruch . . . . . . . . . 182 APPENDIX The Opinions of John Ruskin
on various artists 205 The Decay of Art , by W . J . Stillman . . . 207 Landscape ...
CHAPTER X . Matthew Maris CHAPTER XI . William Maris . . . . . . . . . . CHAPTER
XII . J . H . Weissenbruch . . . . . . . . . 182 APPENDIX The Opinions of John Ruskin
on various artists 205 The Decay of Art , by W . J . Stillman . . . 207 Landscape ...
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162 XXXV . Boy with a Hoop . . Matthew Maris . . 164 XXXVI . The Ox Cart . . . . .
Matthew Maris XXXVII . The Dreamer . . . . Matthew Maris . . 170 XXXVIII . Milking
Time at Abcoude . . William Maris : XXXIX . River Merwerde . . . . William Maris .
162 XXXV . Boy with a Hoop . . Matthew Maris . . 164 XXXVI . The Ox Cart . . . . .
Matthew Maris XXXVII . The Dreamer . . . . Matthew Maris . . 170 XXXVIII . Milking
Time at Abcoude . . William Maris : XXXIX . River Merwerde . . . . William Maris .
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... since the days quoted in " James of Rembrandt . Bosboom and Israels were
the first to appear , but they were soon followed Th . de Bock by the other creative
forces of this period , 2 Born 1824 . Anton Mauve , James Maris , Matthew Maris ...
... since the days quoted in " James of Rembrandt . Bosboom and Israels were
the first to appear , but they were soon followed Th . de Bock by the other creative
forces of this period , 2 Born 1824 . Anton Mauve , James Maris , Matthew Maris ...
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E. B. Greenshields, John Ruskin, John Addington Symonds. Plate XVIII . – The
Sower . J . F . Millet . After an etching by Matthew Maris . By permission of Messrs
. Cottier & Co . , New York . TIF NW } URK PUBLIC L : BRARY A TCH.
E. B. Greenshields, John Ruskin, John Addington Symonds. Plate XVIII . – The
Sower . J . F . Millet . After an etching by Matthew Maris . By permission of Messrs
. Cottier & Co . , New York . TIF NW } URK PUBLIC L : BRARY A TCH.
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Matthew Arnold gives a more modern version of the ideas Coleridge expressed
in the “ Ode on Dejection , ” which has already been quoted in this chapter . The
comparison of the two passages is a very interesting one . The form in which ...
Matthew Arnold gives a more modern version of the ideas Coleridge expressed
in the “ Ode on Dejection , ” which has already been quoted in this chapter . The
comparison of the two passages is a very interesting one . The form in which ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |