Landscape Painting and Modern Dutch Artists |
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CHAPTER III . Various Opinions about Art . . CHAPTER IV . Nature and the Poets
. . . CHAPTER V . Modern Dutch Art . . . . . CHAPTER VI . Johannes Bosboom , .
CHAPTER VII . Josef Israels . . . . CHAPTER VIII . James Maris . . . . CHAPTER IX .
CHAPTER III . Various Opinions about Art . . CHAPTER IV . Nature and the Poets
. . . CHAPTER V . Modern Dutch Art . . . . . CHAPTER VI . Johannes Bosboom , .
CHAPTER VII . Josef Israels . . . . CHAPTER VIII . James Maris . . . . CHAPTER IX .
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Church at Oosthuisen . . J . Bosboom XXIV . Interior of Church . . J . Bosboom . . .
130 XXV . Scheveningen . . . . . J . Bosboom . . . 132 XXVI . Girl Sewing . . . . .
Josef Israels I22 128 PLATE FACING PAGE . 140 XXVII . The Anxious Family
PAGE.
Church at Oosthuisen . . J . Bosboom XXIV . Interior of Church . . J . Bosboom . . .
130 XXV . Scheveningen . . . . . J . Bosboom . . . 132 XXVI . Girl Sewing . . . . .
Josef Israels I22 128 PLATE FACING PAGE . 140 XXVII . The Anxious Family
PAGE.
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The first sign of a change is to be found , strangely enough , in the work of an
artist who occupied himself nearly altogether with the interiors of churches and
other buildings as his chosen subjects , Johannes Bosboom .
The first sign of a change is to be found , strangely enough , in the work of an
artist who occupied himself nearly altogether with the interiors of churches and
other buildings as his chosen subjects , Johannes Bosboom .
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gained the position among his countrymen J . Bosboom , of being their greatest
artist since the days quoted in " James of Rembrandt . Bosboom and Israels were
the first to appear , but they were soon followed Th . de Bock by the other ...
gained the position among his countrymen J . Bosboom , of being their greatest
artist since the days quoted in " James of Rembrandt . Bosboom and Israels were
the first to appear , but they were soon followed Th . de Bock by the other ...
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And the spacious interiors of Bosboom are equally personal to him , as are the
cattle and sheep of Mauve , and the landscapes of James Maris and
Weissenbruch and the sun - lit fields of William Maris to them . This is the reason
of their ...
And the spacious interiors of Bosboom are equally personal to him , as are the
cattle and sheep of Mauve , and the landscapes of James Maris and
Weissenbruch and the sun - lit fields of William Maris to them . This is the reason
of their ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |