Solitude and the Sublime: Romanticism and the Aesthetics of IndividuationPsychology Press, 1992 - 177 páginas As interest in aesthetic experience evolved in the eighteenth century, discussions of the sublime located two opposed accounts of its place and use. Ferguson traces these two positions - the Burkean empiricist account and the Kantian formalist one - to argue that they had significance of aesthetics, including recent deconstructive and New Historicist criticism. |
Contenido
The Sublime of Edmund Burke or The Bathos of Experience | 37 |
A Judgment Outside Comparison | 55 |
The Gothicism of the Gothic Novel | 97 |
Malthus Godwin Wordsworth and the Spirit of Solitude | 114 |
The Face on the Forest Floor | 129 |
Historicism Deconstruction and Wordsworth | 146 |
| 172 | |
Otras ediciones - Ver todas
Solitude and the Sublime: The Romantic Aesthetics of Individuation Frances Ferguson Vista previa limitada - 2013 |
Solitude and the Sublime: The Romantic Aesthetics of Individuation Frances Ferguson Vista previa limitada - 2013 |
Solitude and the Sublime: The Romantic Aesthetics of Individuation Frances Ferguson Sin vista previa disponible - 2016 |
Términos y frases comunes
Adorno aesthetic experience aesthetic judgment aesthetic objects aesthetic pleasure Andrzej Warminski appears argue argument Barbara Herrnstein Smith beautiful becomes Burke Burke's Burkean Caleb Williams claim cognition color consciousness continually count criticism Critique of Judgment deconstructive Derrida distinction dynamical sublime Edmund Burke effect eighteenth century empirical empiricism empiricist Enquiry epistemology essay example Falkland formal Frankenstein Gilpin Godwin Gothic novel Hertz human idea identity imagination individual infinite insists involves Jacques Derrida Kant Kant's account Kantian kind landscape language less linguistic literary look Malthus Man's Marion material mathematical sublime McGann meaning merely monster Moreover natural objects notion one's particular perception persons perspective poem population possibility produce psychological reading relationship represent representation response rhetorical Romantic Rousseau's seems sensation sense social society suggest taste thetic things tion trees truth Victor Victor Frankenstein virtue Warminski Weiskel William Godwin William Wordsworth words Wordsworth
Referencias a este libro
Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen Adela Pinch Vista previa limitada - 1996 |
Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience Jessica R. Feldman Vista previa limitada - 2002 |