| Samuel Taylor Coleridge - 1834 - 360 páginas
...unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definities. The Fancy is, indeed, no other than a mode of Memory emancipated from the order of time... | |
| Samuel Taylor Coleridge - 1840 - 582 páginas
...unify, ft is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, e fragment! of our nature. A lascivious definities. The Fancy is, indeed, no other than a mode of Memory emancipated from the order of time... | |
| 1848 - 722 páginas
...still, at all events, it struggles to idealize and to unify. It is essentially vital," etc. " FANCY, on the contrary, has no other counters to play with, but fixities and definities. The fancy is, indeed, no other than a mode of memory emancipated from the order of time... | |
| 1848 - 734 páginas
...still, at all events, it struggles to idealize and to unify. It is essentially rilal," etc. " FANCV, on the contrary, has no other counters to play with, but fixities and definities. The fancy is, indeed, no other than a mode of memory emancipated from the order of time... | |
| 1848 - 1390 páginas
...still, at all events, it struggles to idealize and to unify. It is essentially rilal," etc. " FAKCY, on the contrary, has no other counters to play with, but fixities ;md definities. The fancy is, indeed, no other than a mode of memory emancipated from the order of... | |
| Samuel Taylor Coleridge - 1853 - 622 páginas
...dead. FANCY, on the contrary, has no other counters to play with, bat fixities and de fin i tie«. non admiran hominem admirationo dignissimum, ijuia videre, complecti, nee ortler of lime and space, and blended with, and modified by, that empirical phenomenon of the will... | |
| Samuel Taylor Coleridge - 1853 - 760 páginas
...unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.f FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and... | |
| Samuel Taylor Coleridge - 1864 - 770 páginas
...It is essentially vital, even as all objects (as objects) are essen tially fixed and dead.f FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and... | |
| Samuel Taylor Coleridge - 1864 - 772 páginas
...It is essentially vital, even as all objects (as objects) are essen tially fixcd and dead.f FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and... | |
| 1886 - 856 páginas
...considered of any account by modern psychologists, it is, I believe, a real one. Coleridge defined fancy as "a mode of memory emancipated from the order of time and space ; and blended with and modified by that empirical phenomenon of the will, which we express by the word... | |
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