Te-he, cry'd Ladies; Clerke not spake: 25 NOTES. VER. 25. Bette is to pyne] A grofs and dull caricature of the father of English poetry, and very unworthy of our author at any age. II. SPENSER. HE that was unacquainted with Spenfer, and was to form his ideas of the turn and manner of his genius from this piece, would undoubtedly suppose that he abounded in filthy images, and excelled in defcribing the lower scenes of life. But the characteristics of this sweet and allegorical poet are not only ftrong and circumstantial imagery, but tender and pathetic feeling, a moft melodious flow of verfification, and a certain pleafing melancholy in his fentiments, the conftant companion of an elegant tafte, that cafts a delicacy and grace over all his compofitions. To imitate Spenfer on a fubject that does not partake of the pathos, is not giving a true representation of him; for he seems to be more awake and alive to all the foftneffes of nature than almoft any writer I can recollect. There is an affemblage of difgufting and difagreeable founds in the following ftanza of Pope, which one is almoft tempted to think, if it were poffible, had been contrived as a contrast, or rather as a burlesque, of a moft exquifite ftanza in the Fairy Queen: "The fnappifh cur (the paffengers annoy) The very turn of these numbers bears the clofeft resemblance with the following, which are of themselves a complete concert of the moft delicious mufic: "The joyous birds fhrouded in cheerful fhade, Their notes unto the voice attempred fweet; Th' angelical, foft trembling voices made These images, one would have thought, were peculiarly calculated to have ftruck the fancy of our young imitator with so much admiration, as not to have fuffered him to make a kind of travesty of them. The next stanza of Fope reprefents fome allegorical figures, of which his original was fo fond: "Hard by a fty, beneath a roof of thatch, Baskets of fish at Billingfgate did watch, Cod, whiting, oyfter, mackrel, fprat, or plaice; There learn'd she speech from tongues that never cease, Slander befide her, like a Magpie, chatters, With Envy, (fpitting Cat) dread foe to peace; Like a curs'd Cur, Malice before her clatters And vexing ev'ry wight, tears cloaths and all to tatters." But these perfonages of Obloquy, Slander, Envy, and Malice, are not marked with any distinct attributes; they are not those living figures, whose attitudes and behaviour Spencer has minutely drawn with so much clearness and truth, that we behold them with our eyes as plainly as we do on the cieling of the banquetting-house. For, in truth, the pencil of Spenfer is as powerful as that of Rubens, his brother allegorift; which two artists resembled each other in many respects; but Spenfer had more grace, and was as warm a colourist. II. SPENSER. THE ALLEY. I. IN ev'ry Town, where Thamis rolls his Tyde, There oft are heard the notes of Infant Woe, 5 The fhort thick Sob, loud Scream, and fhriller Squall: How can ye, Mothers, vex your Children fo? And as they crouchen low, for bread and butter call. II. And on the broken pavement, here and there, A brandy and tobacco fhop is near, And hens, and dogs, and hogs are feeding by; At ev'ry door are fun-burnt matrons seen, Mending old nets to catch the fcaly fry; 10 15 Now finging fhrill, and fcolding eft between; hood I ween. T 4 The III. 20 The fnappifh cur (the paffengers annoy) 25 IV. Hard by a Sty, beneath a roof of thatch, Baskets of fish at Billingfgate did watch, 30 Cod, whiting, oyster, mackrel, sprat, or plaice: V. Her dugs were mark'd by ev'ry Collier's hand, Her mouth was black as bull-dogs at the ftall: 35 NOTES. She VER. 30. Bafkets of fifb] How different from thofe enchanting imitations of Spenfer, The Caftle of Indolence and the Minstrel! |