Biographia Literaria by Samuel Taylor ColeridgeAdam Roberts Edinburgh University Press, 2014 M09 22 - 608 páginas A new, fully annotated critical edition of this key Romantic texta This new edition of the Biographia supersedes all previous editions. Crucially, it takes into consideration three decades of research and scholarship on Coleridge and includes all Coleridge's references and allusions. In tracing all unattributed references, Adam Roberts has in some cases opened up whole new avenues of interpretation for the text, materially altering or changing the way we read this classic work. This new scholarly edition for a twenty-first-century readership includes a detailed critical introduction; a textual introduction; the text of the Biographia Literaria, including Coleridge's notes and editorial footnotes; endnotes; and a bibliography. It is likely to stand as the definitive textual edition for many years to come.a Key FeaturesThis will be the first new edition in three decades to critically engage and situate Coleridge's classic work for students of Romanticism studiesFully explains the genesis, the poetic and philosophical contexts and debates surrounding the text Provides the chance to revitalise Romanticism studies more generallya Adam Roberts is Professor of Nineteenth-Century Literature at Royal Holloway, University of London. He has published widely in the field of Romantic and Victorian literature, and previously edited editions of Browning and Tennyson, and his monograph Landor's Cleanness is forthcoming. |
Dentro del libro
Página xiii
... written. René Wellek summarises: Saintsbury eliminated one after another of possible contenders for the title of greatest critic and concluded; 'So, then, there abide these three, Aristotle, Longinus and Coleridge.' Arthur Symons called ...
... written. René Wellek summarises: Saintsbury eliminated one after another of possible contenders for the title of greatest critic and concluded; 'So, then, there abide these three, Aristotle, Longinus and Coleridge.' Arthur Symons called ...
Página xx
... written last, under a great pressure from Gutch and other sponsors, a fact which is adduced to 'explain' Coleridge's heavy plagiarism of German philosophical texts, and the strange fragmentation of Chapter 13. Given that both are ...
... written last, under a great pressure from Gutch and other sponsors, a fact which is adduced to 'explain' Coleridge's heavy plagiarism of German philosophical texts, and the strange fragmentation of Chapter 13. Given that both are ...
Página xxi
... written by himself' to justify breaking off from his mammoth, self-appointed task. This is the narrative Engell and Bate endorse in their influential edition of the Biographia, and it remains the consensus.14 There have, though, been ...
... written by himself' to justify breaking off from his mammoth, self-appointed task. This is the narrative Engell and Bate endorse in their influential edition of the Biographia, and it remains the consensus.14 There have, though, been ...
Página xxii
... written later. Alternatively, the two salients in the description Coleridge gives Brabant – 'extended and elaborated' – might be taken as implying that more, and perhaps much more, had already been added to the bare bones of Chapter 5 ...
... written later. Alternatively, the two salients in the description Coleridge gives Brabant – 'extended and elaborated' – might be taken as implying that more, and perhaps much more, had already been added to the bare bones of Chapter 5 ...
Página xxv
... written verse-drama Zapolya, and to compose a new final chapter (the present Chapter 24). We know that this latter was composed either very late in 1816 or (more likely) early in 1817, since it reacts to Hazlitt's disparaging account of ...
... written verse-drama Zapolya, and to compose a new final chapter (the present Chapter 24). We know that this latter was composed either very late in 1816 or (more likely) early in 1817, since it reacts to Hazlitt's disparaging account of ...
Contenido
xi | |
xiii | |
BIOGRAPHIA LITERARIA | 1 |
BIOGRAPHIA LITERARIA VOLUME 1 | 3 |
CHAPTER 2 | 21 |
CHAPTER 3 | 35 |
CHAPTER 4 | 53 |
CHAPTER 5 | 67 |
CHAPTER 13 | 199 |
BIOGRAPHIA LITERARIA VOLUME 2 | 207 |
CHAPTER 15 | 215 |
CHAPTER 16 | 223 |
CHAPTER 17 | 233 |
CHAPTER 18 | 247 |
CHAPTER 19 | 273 |
CHAPTER 20 | 283 |
CHAPTER 6 | 77 |
CHAPTER 7 | 83 |
CHAPTER 8 | 91 |
CHAPTER 9 | 99 |
CHAPTER 10 | 115 |
CHAPTER 11 | 159 |
CHAPTER 12 | 167 |
CHAPTER 21 | 291 |
CHAPTER 22 | 301 |
SATYRANES LETTERS | 337 |
CHAPTER 23 | 379 |
CHAPTER 24 | 403 |
Textual Appendix | 415 |
Otras ediciones - Ver todas
Términos y frases comunes
appear argument Aristotle beautiful believe Bertram Biographia Literaria cause Chapter character Coleridge Coleridge's common composition consciousness criticism Descartes diction distinction divine Edinburgh Edinburgh Review edition effect Engell and Bate English equally essay existence eyes fancy feelings footnote French genius German Greek ground Gutch Hartley Hartley's heart honor human Hylozoism I. A. Richards idea images imagination infinite instance intellectual jacobinism Kant language Latin less letter lines literary Lyrical Ballads means metaphysical metre Milton mind moral nature notion object original paragraph passage passion perhaps philosophical phrase Pindar plagiarism Plato Plotinus poem poet poetic poetry preface present principles prose published quoted Ratzeburg reader reason Review Romanticism Samuel Taylor Coleridge Schelling sense Shakespeare sonnets soul Southey spirit stanza style Synesius theory things thought tion translation truth verse vols volume whole William Wordsworth words Wordsworth writing