The Principles of RhetoricAmerican book Company, 1923 - 431 páginas |
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... Clearness 66 II . Force 66 III . Ease II . NUMBER OF WORDS • Section I. Clearness 66 II . Force 06 III . Ease 74 · 81 • 111 · · 132 145 146 150 175 CHAP . UI . ARRANGEMENT Section I. Clearness . 66.
... Clearness 66 II . Force 66 III . Ease II . NUMBER OF WORDS • Section I. Clearness 66 II . Force 06 III . Ease 74 · 81 • 111 · · 132 145 146 150 175 CHAP . UI . ARRANGEMENT Section I. Clearness . 66.
Página
Adams Sherman Hill. CHAP . UI . ARRANGEMENT Section I. Clearness . 66 II . Force 66 III . Ease • 66 IV . Unity . 66 V. Kinds of Sentences • 66 VI . Paragraphs . 66 VII . Whole Compositions PAGE 177 177 • 184 · 198 • 208 216 230 239 PART ...
Adams Sherman Hill. CHAP . UI . ARRANGEMENT Section I. Clearness . 66 II . Force 66 III . Ease • 66 IV . Unity . 66 V. Kinds of Sentences • 66 VI . Paragraphs . 66 VII . Whole Compositions PAGE 177 177 • 184 · 198 • 208 216 230 239 PART ...
Página 66
... John Earle ( English Prose , chap . ii . ) in an extract from a lecture by Professor Sonnenschein of the Mason College . the use of the indicative was for the subjunctive were 66 GRAMMATICAL PURITY . UI ARRANGEMENT Clearness Force.
... John Earle ( English Prose , chap . ii . ) in an extract from a lecture by Professor Sonnenschein of the Mason College . the use of the indicative was for the subjunctive were 66 GRAMMATICAL PURITY . UI ARRANGEMENT Clearness Force.
Página 81
... CLEARNESS . A writer should choose that word or phrase which will convey his meaning with CLEARNESS . It is not enough to 1 R. L. Stevenson Memories and Portraits ; A College Magazine , Ject i . use language that may be understood ; he ...
... CLEARNESS . A writer should choose that word or phrase which will convey his meaning with CLEARNESS . It is not enough to 1 R. L. Stevenson Memories and Portraits ; A College Magazine , Ject i . use language that may be understood ; he ...
Página 82
... clearness . of communication , so far is it withdrawn from the ideas communicated , and this even when the medium is free from flaws . How much more serious the evil when the medium obscures or distorts an object ! " The young ...
... clearness . of communication , so far is it withdrawn from the ideas communicated , and this even when the medium is free from flaws . How much more serious the evil when the medium obscures or distorts an object ! " The young ...
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Términos y frases comunes
American newspaper analogy antecedent probability Anthony Trollope argue argument arrangement authors Bagheera Barchester Towers beginning better Bride of Lammermoor Burke called Cardinal Newman chap character Charles Reade clearness composition Daniel Webster E. F. Benson ease effect English Essays example exposition expression fact fallacy feelings following passage force George Eliot give hand Herbert Spencer Ibid idea instance J. S. Mill kind language lect less look Lord Macaulay Martin Chuzzlewit matter Matthew Arnold means ment metaphor method Middlemarch Milton mind narration narrative nature never object observation paragraph persons phrase poetry poets present principle proposition prose purpose question Quincey reader reason Rhetoric rule Ruskin scene Scott sect sense sentence Shakspere simile sometimes speak Spectator speech story Student's theme style tence Thackeray thing thou thought tion truth unity verb whole words writer