Theatre and Drama in the Making: The nineteenth and twentieth centuries

acting action actor admirable Aegisthus appears Art Theatre artist attempt audience beautiful become Booth Brecht century character color comedy Constantin Stanislavski costume Craig create critics curtain drama dramatist Edmund Kean Edwin Booth effect Electra Elizabethan emotion Epic Epic Theater everything expression eyes fact feel genius give Greek Hamlet Henry Irving human Ibsen idea imagination imitation inner Irving Isolde Kean Kemble light living London Macbeth Macready manager mask means mind modern Molière moral Moscow Art Theatre mother Mourning Becomes Electra nature never Othello painted passion performance person picture piece play playwright Poel poet poetic poetry present production realistic reality régisseur rehearsals Robert Edmond Jones rôle romantic Salvini scene scenery scenic seems sense setting Shakespeare social soul speak spectator spirit stage Stanislavski star story Strindberg style technique theatrical Thérèse Raquin thing tion tragedy tragic Tristan truth whole words writing York