 | Henri Bergson, Cloudesley Shovell Henry Brereton, Fred Rothwell - 1914 - 244 páginas
...us to set in motion, in the depths of our being, some secret chord which was only waiting to thrill. So art, whether it be painting or sculpture, poetry...order to bring us face to face with reality itself, j It is from a misunderstanding on this point that the dispute between realism and idealism in art... | |
 | Granville Stanley Hall, Edward Bradford Titchener, Karl M. Dallenbach, Madison Bentley, Edwin Garrigues Boring, Margaret Floy Washburn - 1912 - 668 páginas
...Comedy is, therefore, not life; neither is it art; for art is individualistic, its sole object being ' to brush aside the utilitarian symbols, the conventional...order to bring us face to face with reality itself; " while comedy looks outward, seeks the similar and the typical. It is not life, while yet it pursues... | |
 | Granville Stanley Hall, Edward Bradford Titchener, Karl M. Dallenbach, Madison Bentley, Edwin Garrigues Boring, Margaret Floy Washburn - 1912 - 674 páginas
...Comedy is, therefore, not life; neither is it art; for art is individualistic, its sole object being ' to brush aside the utilitarian symbols, the conventional...order to bring us face to face with reality itself; " while comedy looks outward, seeks the similar and the typical. It is not life, while yet it pursues... | |
 | Granville Stanley Hall, Edward Bradford Titchener, Karl M. Dallenbach, Madison Bentley, Edwin Garrigues Boring, Margaret Floy Washburn - 1912 - 660 páginas
...Comedy is. therefore, not life: neither is it art; for art is individualistic, its sole object beine ' to brush aside the utilitarian symbols, the conventional and socially accepted generalities, in short, even-thing that veils reality from us. in order to bring us face to face with reality itself : " while... | |
 | William Caldwell - 1913 - 288 páginas
...bent of the intellect. But that is just the function of philosophy " (Creative Evolution, p. 31). ' " So art, whether it be painting or sculpture, poetry...order to bring us face to face with reality itself " (Laughter, p. 157). It is true that if we read further on this page, and elsewhere in Bergson, we... | |
 | Lizzie Susan Stebbing - 1914 - 196 páginas
...subtlest movements of the inner life 1 ." Thus would be realised the highest ambition of art, for "art has no other object than to brush aside the utilitarian...order to bring us face to face with reality itself 2 ." The standpoint of the philosopher and the artist is the same, or, rather the artist is the true... | |
 | Lizzie Susan Stebbing - 1914 - 306 páginas
...subtlest movements of the inner life 1 ." Thus would be realised the highest ambition of art, for "art has no other object than to brush aside the utilitarian...order to bring us face to face with reality itself 2 ." The standpoint of the philosopher and the artist is the same, or, rather the artist is the true... | |
 | Edwin Emery Slosson - 1916 - 342 páginas
...symbols, the generalities conventionally and socially accepted, in short all that masks reality for us, in order to bring us face to face with reality itself. It is a misunderstanding on this point that has given rise to the debate between realism and idealism... | |
 | George Thomas White Patrick - 1916 - 300 páginas
...racial history of the past. Bergson has some such thought when he says in his essay on "Laughter": — Art, whether it be painting or sculpture, poetry or...order to bring us face to face with reality itself. . . . What drama goes forth to discover and brings to light, is a deep-seated reality that is veiled... | |
 | George Thomas White Patrick - 1916 - 302 páginas
...racial history of the past. Bergson has some such thought when he says in his essay on "Laughter": — Art, whether it be painting or sculpture, poetry or...order to bring us face to face with reality itself. . . . What drama goes forth to discover and brings to light, is a deep-seated reality that is veiled... | |
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So art, whether it be painting or sculpture, poetry or music, has no other object than to brush aside the utilitarian symbols, the conventional and socially accepted generalities, in short, everything that veils reality from us, in order to bring us face... 
