 | Franz Kugler - 1851 - 398 páginas
...this period, have any traces of a higher class of painting in a material thus durable been discovered. We are almost tempted to believe that historical mosaic...fourth century, and suddenly took its wide spread. It must be remembered that Anastasius, in his life of S. Sylvester, where he describes the splendid... | |
 | Franz Kugler - 1867 - 438 páginas
...this period, have any traces of a higher class of painting in a material thus durable been discovered. We are almost tempted to believe that historical mosaic painting of the grander style first stalled into life in the course of the fourth century, and suddenly took its wide spread. It must be... | |
 | Franz Kugler - 1869 - 438 páginas
...this period, have any traces of a higher class of painting in a material thus durable been discovered. We are almost tempted to believe that historical mosaic...fourth century, and suddenly took its wide spread. It must be remembered that Anastasius, in his Life of S. Sylvester, where he describes the splendid... | |
 | Franz Theodor Kugler - 1874 - 464 páginas
...tempted to believe that historical mosaic painting of the grander style first starteJ into lite ia the course of the fourth century, and suddenly took its wide spread. It must be remembered that Anastasius, in hi; Life of S. Sylvester, where he describes the splendid... | |
 | William Smith, Samuel Cheetham - 1880 - 1190 páginas
...historical mosaic-painting of the grander style first started into cxwtence in the course of the 4th century, and suddenly took its wide spread, borne...advancing tide of the triumphant Christian faith." At the commencement of the art the designers were evidently restricted by no conventional rules, but... | |
 | William Smith - 1880 - 1022 páginas
...the giander style first started into existence in the course of the 4th century, and suddenly tock its wide spread, borne on the advancing tide of the triumphant Christian faith." At the commencement of the art the. designers were evidently restricted by no conventional rules, but... | |
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... Vigna Campana in Rome, &c.), are of a purely decorative style, without figures ; while it is very strange, that neither upon the arches of Diocletian's baths, nor upon those of any other edifices of this period, have any traces of a higher class of... 