Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 páginas The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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Página 29
... There's none else by . Richard loves Richard : that is , I am I. Is there a murderer here ? No - yes , I am . Then fly . What , from myself ? Great reason why- Lest I revenge . What , myself upon myself ? Alack , I love myself ...
... There's none else by . Richard loves Richard : that is , I am I. Is there a murderer here ? No - yes , I am . Then fly . What , from myself ? Great reason why- Lest I revenge . What , myself upon myself ? Alack , I love myself ...
Página 79
... there's the rub ' . There are several objec- tions to this theory . There is no indication in the text that Hamlet is reading ; it does not give the impression of extracts from a book ; and it is concerned too plainly with Hamlet's ...
... there's the rub ' . There are several objec- tions to this theory . There is no indication in the text that Hamlet is reading ; it does not give the impression of extracts from a book ; and it is concerned too plainly with Hamlet's ...
Página 139
... there are as many good characters as evil ones , that some of them become wiser and better in the course of the play , and that Edmund , at the end , attempts to avert the murder of Cordelia . We are made to feel that , whatever her ...
... there are as many good characters as evil ones , that some of them become wiser and better in the course of the play , and that Edmund , at the end , attempts to avert the murder of Cordelia . We are made to feel that , whatever her ...
Contenido
Apprenticeship | 20 |
Julius Caesar | 42 |
Hamlet | 55 |
Derechos de autor | |
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Términos y frases comunes
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words