The works of Samuel Johnson, Volumen91824 |
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Página 64
... continued , when it conveys an offensive idea , or recalled again into the mouths of mankind , when it has once become un- familiar by disuse , and unpleasing by unfa- miliarity ? There is another cause of alteration more pre- valent ...
... continued , when it conveys an offensive idea , or recalled again into the mouths of mankind , when it has once become un- familiar by disuse , and unpleasing by unfa- miliarity ? There is another cause of alteration more pre- valent ...
Página 74
... continued to hover in the twilight . In the time of Queen Elizabeth was the remarkable trial of the witches of Warbois , whose convic- tion is still commemorated in an annual sermon at Huntingdon . But in the reign of King James , in ...
... continued to hover in the twilight . In the time of Queen Elizabeth was the remarkable trial of the witches of Warbois , whose convic- tion is still commemorated in an annual sermon at Huntingdon . But in the reign of King James , in ...
Página 117
... continued in manuscript : no other transcribers were likely to be so little qualified for their task as those who copied for the stage , at a time when the lower ranks of the people were universally illiterate : no other edi- tions were ...
... continued in manuscript : no other transcribers were likely to be so little qualified for their task as those who copied for the stage , at a time when the lower ranks of the people were universally illiterate : no other edi- tions were ...
Página 124
... continued by those , who , being able to add nothing to truth , hope for eminence from the heresies of paradox ; or those , who , being forced by disappointment upon consola- tory expedients , are willing to hope from poste- rity what ...
... continued by those , who , being able to add nothing to truth , hope for eminence from the heresies of paradox ; or those , who , being forced by disappointment upon consola- tory expedients , are willing to hope from poste- rity what ...
Página 128
... continued in motion . In the writings of other poets a character is too often an indivi- dual : in those of Shakespeare it is commonly a species . It is from this wide extension of design that so much instruction is derived . It is this ...
... continued in motion . In the writings of other poets a character is too often an indivi- dual : in those of Shakespeare it is commonly a species . It is from this wide extension of design that so much instruction is derived . It is this ...
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ancient appear Banquo Bemoin bounty Catalogue censure character cographer common conjecture considered copies corn corrupt criticism curiosity degree dictionary died hereafter diligence discovered drama easily editions editor elegance elliptical arch endeavoured English enquiry Epictetus EPITAPHS equally Essay excellence exhibit expected Falstaff favour formed genius Harleian library Henry Henry VI honour hope inserted kind king king of Portugal knowledge known labour language learned less lexicography likewise Macbeth mankind means ment Milton mind nation nature necessary never NOTE obscure observed occasion opinion orthography Paradise Lost passage passions perfect spy perhaps play poet Pope Portuguese praise preserved Prester John prince produced publick racters reader reason Roman rusal scenes seems sense sentiments Shakespeare shew shewn sometimes speech sufficient supposed things thought tical tion tragedy truth William Lauder witchcraft witches words writers written
Pasajes populares
Página 110 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
Página 127 - His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will always supply, and observation will always find.
Página 144 - The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Rome, supposes, that when the play opens, the spectator really imagines himself at Alexandria, and believes that his •walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
Página 134 - ... poetry. This reasoning is so specious, that it is received as true even by those who in daily experience feel it to be false. The interchanges of mingled scenes seldom fail to produce the intended vicissitudes of passion. Fiction cannot move so much, but that tHe attention may be easily transferred ; and though it must be allowed that pleasing melancholy be sometimes interrupted by unwelcome levity, yet let it be considered likewise, that melancholy is often not pleasing, and that the disturbance...
Página 81 - If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, Against the use of nature ? Present fears Are less than horrible imaginings. My thought, whose murder yet is but fantastical *, Shakes so my single state of man, that function Is smother'd in surmise, and nothing is, But what is not.
Página 135 - When Shakespeare's plan is understood, most of the criticisms of Rymer and Voltaire vanish away. The play of Hamlet is opened without impropriety by two sentinels; lago bellows at Brabantio's window without injury to the scheme of the play, though in terms which a modern audience would not easily endure; the character of Polonius is seasonable and useful, and the gravediggers themselves may be heard with applause.
Página 127 - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied.
Página 166 - ... comprehension of thought, and such his copiousness of language. Out of many readings possible, he must be able to select that which best suits with the state, opinions, and modes of language prevailing in every age, and with his author's particular cast of thought, and turn of expression. Such most be his knowledge, and such his taste. Conjectural criticism demands more than humanity possesses, and he that exercises it with most praise, has very frequent need of indulgence. Let us now be told...
Página 145 - Cleopatra. Surely he that imagines this may imagine more. He that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of Actium. Delusion, if delusion be admitted, has no certain limitation ; if the spectator can be once persuaded, that his old acquaintance are Alexander and...
Página 162 - He has scenes of undoubted and perpetual excellence, but perhaps not one play, which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.