Musikalische Gedanke und die Logik, Technik und Kunst seiner Darstellung

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Columbia University Press, 1995 - 462 páginas
This treatise relates Schoenberg's concept of the musical idea. It defines his thought on gestalt, motive, grundgestalt, phrase, rhythm and accent, the construction function of harmony, homophonic and contrapuntal forms, and compositional coherence.
 

Contenido

The Musical Idea and the Logic Technique
73
Der musikalische Gedanke und die Logik
87
xxiii
143
Elements of Form
162
Rhythm
198
Formal Procedures
222
Miscellaneous
290
Harmony
308
Addendum
342
Concordance of Terms
351
87
355
Descriptions of the Gedanke
403
Preface and Overview
405
Notes
427
Bibliography
451
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Acerca del autor (1995)

An American of Austrian birth, Arnold Schoenberg composed initially in a highly developed romantic style but eventually turned to painting and expressionism. At first he was influenced by Richard Wagner and tried to write in a Wagnerian style. He attracted the attention of Alban Berg and Anton von Webern, with whom he created a new compositional method based on using all 12 half-steps in each octave as an organizing principle, the so-called 12-tone technique. His importance to the development of twentieth-century music is incredible, but the music he composed using this new method is not easily accessible to most concertgoers.

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