The Jew in the Victorian Novel: Some Relationships Between Prejudice and ArtAMS Press, 1980 - 238 páginas |
Dentro del libro
Resultados 1-3 de 26
Página 5
... turn it into a realistic , directed fear , in which case displacement occurs . The third process arises from one's inability to face con- ditions created by one's own behaviour . Displacement is the most extreme form of guilt - evasion ...
... turn it into a realistic , directed fear , in which case displacement occurs . The third process arises from one's inability to face con- ditions created by one's own behaviour . Displacement is the most extreme form of guilt - evasion ...
Página 66
... turn , is even less attractive , being " a squat , thickset personage , with a low retreating forehead " and interestingly enough , hav- ing eyes that are " small and near together . " He has an un- checked relish , rather approaching ...
... turn , is even less attractive , being " a squat , thickset personage , with a low retreating forehead " and interestingly enough , hav- ing eyes that are " small and near together . " He has an un- checked relish , rather approaching ...
Página 193
... turns out to be the brother than that Deronda turns out to be a Jew ; still , George Eliot at- tempts to build some suspense by making the Cohens unwor- thy of Mirah . Furthermore , in order to sustain a complex attitude to- wards the ...
... turns out to be the brother than that Deronda turns out to be a Jew ; still , George Eliot at- tempts to build some suspense by making the Cohens unwor- thy of Mirah . Furthermore , in order to sustain a complex attitude to- wards the ...
Contenido
CHAPTER TWO | 31 |
CHAPTER THREE | 57 |
CHAPTER FOUR | 97 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
achieve actions Anthony Trollope anti-Semitism Anton appearance artistic attitude aware Balatka beauty becomes Benjamin Benjamin Disraeli Brehgert chap characterization Charles Dickens Christian Cohenlupe Cohens complex conflict connotations contrast create criminal world criticism Daniel Deronda devil dice Dickens Dickens's Disraeli Emilius England English evil eyes fact Fagin feels Fledgeby foreign function George Eliot Ibid Isaac Ivanhoe Jewess Jewish characters Jewish stereotypes Judaism Klesmer Lady Lady Glencora Léon Poliakov literary Lizzie London Lopez Madame Goesler manner Maria Edgeworth medieval Melmotte Melmotte's Mirah moral Mordecai murder nature negative Nina Nina Balatka Oliver Oliver Twist one's personality Phineas Phineas Finn Phineas Redux physical plot Poliakov portrait portrayal position prejudice and art prejudiced qualities race racial reader realistic Rebecca religion religious Riah Riah's role Rothschild scapegoat Scott Sidonia Sikes social society sympathy techniques tion Tragic Comedians traits Trollope's types Victorian novel villain Wharton
Referencias a este libro
Crime, Gender, and Consumer Culture in Nineteenth-century England Tammy C. Whitlock Sin vista previa disponible - 2005 |
Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840 Philip Cox Vista previa limitada - 2000 |