Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 páginas |
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Página 31
... original but the accidental connection of two ideas ; which either the strength of the first impression or future indulgence so united that they always afterwards kept company together in the man's mind , as if they were but one idea ...
... original but the accidental connection of two ideas ; which either the strength of the first impression or future indulgence so united that they always afterwards kept company together in the man's mind , as if they were but one idea ...
Página 99
... original , I confess , is not much to the honor of satire ; but here it was nature , and that depraved ; when it became an art , it bore better fruit . Only , we have learnt thus much already , that scoffs and revilings are of the ...
... original , I confess , is not much to the honor of satire ; but here it was nature , and that depraved ; when it became an art , it bore better fruit . Only , we have learnt thus much already , that scoffs and revilings are of the ...
Página 361
... original ; that is a perfect stranger , and all throng to learn what news from a foreign land . And though it comes like an Indian prince , adorned with feathers only , having little of weight , yet of our attention it will rob the more ...
... original ; that is a perfect stranger , and all throng to learn what news from a foreign land . And though it comes like an Indian prince , adorned with feathers only , having little of weight , yet of our attention it will rob the more ...
Contenido
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Derechos de autor | |
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Términos y frases comunes
action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing