Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 páginas |
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Página 55
... judge our modern plays , ' tis probable that few of them would endure the trial . That which should be the business of the day takes up in some of them an age ; instead of one action , they are the epitomes of a man's life ; and for one ...
... judge our modern plays , ' tis probable that few of them would endure the trial . That which should be the business of the day takes up in some of them an age ; instead of one action , they are the epitomes of a man's life ; and for one ...
Página 299
... judge how far the means employed are adapted to their respective purposes . Besides , every kind of composition , even the most poetical , is nothing but a chain of propositions and reason- ings , not always , indeed , the justest and ...
... judge how far the means employed are adapted to their respective purposes . Besides , every kind of composition , even the most poetical , is nothing but a chain of propositions and reason- ings , not always , indeed , the justest and ...
Página 317
... judges in the fine arts . Many circumstances are necessary to form such a judge : there must be a good natural taste , that is , a taste approaching , at least in some degree , to the delicacy of taste above described [ Chapter 2 , Part ...
... judges in the fine arts . Many circumstances are necessary to form such a judge : there must be a good natural taste , that is , a taste approaching , at least in some degree , to the delicacy of taste above described [ Chapter 2 , Part ...
Contenido
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Derechos de autor | |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing