Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 páginas |
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Página 60
... give battle , and appear victorious in the next act ; and yet , from the time of his departure to the return of the Nuntius , 8 who gives the relation of his victory , Aethra and the Chorus have but thirty - six verses ; which is not ...
... give battle , and appear victorious in the next act ; and yet , from the time of his departure to the return of the Nuntius , 8 who gives the relation of his victory , Aethra and the Chorus have but thirty - six verses ; which is not ...
Página 294
... give pleasure , it is not to be expected that in every individual the pleasure will be equally felt . Particular incidents and situations . occur which either throw a false light on the objects , or hinder the true from conveying to the ...
... give pleasure , it is not to be expected that in every individual the pleasure will be equally felt . Particular incidents and situations . occur which either throw a false light on the objects , or hinder the true from conveying to the ...
Página 365
... give us the true portrait of a seraph ? He can give us only what by his own or others ' eyes has been seen , though that indeed infinitely compounded , raised , burlesqued , dishonored , or adorned . In like manner , who can give us ...
... give us the true portrait of a seraph ? He can give us only what by his own or others ' eyes has been seen , though that indeed infinitely compounded , raised , burlesqued , dishonored , or adorned . In like manner , who can give us ...
Contenido
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Derechos de autor | |
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Términos y frases comunes
action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing