Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 páginas |
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Página 279
... effect , so extensive that some very acute writers have mistaken it for the only source of our morals , though their root lies deeper and is more interwoven with our origi- nal frame . However , as we have at present only to do with ...
... effect , so extensive that some very acute writers have mistaken it for the only source of our morals , though their root lies deeper and is more interwoven with our origi- nal frame . However , as we have at present only to do with ...
Página 549
... effect by more ways than are generally employed by architects . To pass over the effect produced by that general symmetry and proportion by which the eye is delighted , as the ear is with music , architecture certainly possesses many ...
... effect by more ways than are generally employed by architects . To pass over the effect produced by that general symmetry and proportion by which the eye is delighted , as the ear is with music , architecture certainly possesses many ...
Página 601
... effect in accompanying the face will allow ; the flow of his drapery , the sweetness and equality of his penciling ... effect of the picturesque is curiosity - an effect which , though less splendid 1 Paradise Lost , I , 592-605 . Guido ...
... effect in accompanying the face will allow ; the flow of his drapery , the sweetness and equality of his penciling ... effect of the picturesque is curiosity - an effect which , though less splendid 1 Paradise Lost , I , 592-605 . Guido ...
Contenido
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Derechos de autor | |
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Términos y frases comunes
action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing