Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 240
... reason . They are not so much settled by example as by the natural judgment of mankind , and if we call them the rules and the art of the ancients , ' tis only because they have practiced them with great regularity , and much to their ...
... reason . They are not so much settled by example as by the natural judgment of mankind , and if we call them the rules and the art of the ancients , ' tis only because they have practiced them with great regularity , and much to their ...
Página 364
... reason why they of all men have always found it so difficult is because they always propounded to owe their happiness to reason , though one would think that experience might have convinced them of the folly of such a design because ...
... reason why they of all men have always found it so difficult is because they always propounded to owe their happiness to reason , though one would think that experience might have convinced them of the folly of such a design because ...
Página 465
... reason - will give us as its only satisfac- tion the feeling of approbation , because reason can never find more , and seldom finds as much as it requires . This same act , judged , on the contrary , by the esthetic sense - by ...
... reason - will give us as its only satisfac- tion the feeling of approbation , because reason can never find more , and seldom finds as much as it requires . This same act , judged , on the contrary , by the esthetic sense - by ...
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write