Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 39
... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : otherwise it would not have happened . Still there are some tragedies in which there are only one ...
... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : otherwise it would not have happened . Still there are some tragedies in which there are only one ...
Página 222
... possible , as for example it is possible for one who all his life has been an honest man to commit a crime of his own volition . But such an action is not serviceable for the plot of a narrative or of a dramatic poem since , to be thus ...
... possible , as for example it is possible for one who all his life has been an honest man to commit a crime of his own volition . But such an action is not serviceable for the plot of a narrative or of a dramatic poem since , to be thus ...
Página 974
... possible for us to imagine such a play , because pure per- formance in time is possible only in the world of sounds , and a theatre without characters who act , no matter how outrageously and improbably , is inconceivable , simply ...
... possible for us to imagine such a play , because pure per- formance in time is possible only in the world of sounds , and a theatre without characters who act , no matter how outrageously and improbably , is inconceivable , simply ...
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write