Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 449
... pleasure we take in painful emotions is real , and that it is general . The painful struggle of a heart drawn asunder between its inclinations or contrary duties , a struggle which is a cause of misery to him who experiences it ...
... pleasure we take in painful emotions is real , and that it is general . The painful struggle of a heart drawn asunder between its inclinations or contrary duties , a struggle which is a cause of misery to him who experiences it ...
Página 450
... pleasure which the relation of the object with morality often mingles with the most painful affections . A mind thus constituted is better fitted than all others to enjoy the pleasure attach- ing to compassion , and even to regard a ...
... pleasure which the relation of the object with morality often mingles with the most painful affections . A mind thus constituted is better fitted than all others to enjoy the pleasure attach- ing to compassion , and even to regard a ...
Página 451
... pleasure of pity is simply the pleasure taken by the mind in exercising its own sensibility . To others it is the pleasure of occupying their forces ener- getically , of exercising the social faculty vividly - in short , of satisfying ...
... pleasure of pity is simply the pleasure taken by the mind in exercising its own sensibility . To others it is the pleasure of occupying their forces ener- getically , of exercising the social faculty vividly - in short , of satisfying ...
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write