Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 328
... pass to another of mirth and humour , and to enjoy it with any relish : but why should he imagine the soul of man more heavy than his senses ? Does not the eye pass from an unpleasant object to a pleasant , in a much shorter time than ...
... pass to another of mirth and humour , and to enjoy it with any relish : but why should he imagine the soul of man more heavy than his senses ? Does not the eye pass from an unpleasant object to a pleasant , in a much shorter time than ...
Página 415
... pass , and that no more account of space or duration is to be taken by the auditor of a drama , than by the reader of a narrative before whom may pass in an hour the life of a hero , or the revolutions of an empire . Whether Shakespeare ...
... pass , and that no more account of space or duration is to be taken by the auditor of a drama , than by the reader of a narrative before whom may pass in an hour the life of a hero , or the revolutions of an empire . Whether Shakespeare ...
Página 678
... passing than that during which he is seated in the theatre. But tell me: Can he imagine a time passing that is double the real time, triple ... pass while they are watching a 678 Ninteenth- and Twentieth-Century France, Italy, and Spain.
... passing than that during which he is seated in the theatre. But tell me: Can he imagine a time passing that is double the real time, triple ... pass while they are watching a 678 Ninteenth- and Twentieth-Century France, Italy, and Spain.
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write