Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 325
... observed any that have extended the time to thirty hours . In the unity of place they are full as scrupulous ; for many of their critics limit it to that very spot of ground where the play is supposed to begin ; none of them exceed the ...
... observed any that have extended the time to thirty hours . In the unity of place they are full as scrupulous ; for many of their critics limit it to that very spot of ground where the play is supposed to begin ; none of them exceed the ...
Página 330
... observations of the unities of time and place , and integrity of scenes , they have brought on themselves that dearth of plot , and narrowness of imagination , which may be observed in all their plays . How many beautiful accidents ...
... observations of the unities of time and place , and integrity of scenes , they have brought on themselves that dearth of plot , and narrowness of imagination , which may be observed in all their plays . How many beautiful accidents ...
Página 432
... observed by those who know the distance of the locality . Not every- body knows geographical distances , while everybody can feel in themselves for what actions they would allow themselves one day , for what several . The poet therefore ...
... observed by those who know the distance of the locality . Not every- body knows geographical distances , while everybody can feel in themselves for what actions they would allow themselves one day , for what several . The poet therefore ...
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write