Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Resultados 1-3 de 58
Página 540
... fact . Weakness in action , in other words , wholly consists in the division of the personal self as such from its content , so that character , volition , and final purpose do not appear as absolutely one unified growth ; and inasmuch ...
... fact . Weakness in action , in other words , wholly consists in the division of the personal self as such from its content , so that character , volition , and final purpose do not appear as absolutely one unified growth ; and inasmuch ...
Página 643
... fact that they hap- pened to come together in the Venetian service an even more accidental accident . Also that Torvald Helmer might just as likely have married Mrs Nickelby as Nora . Granting this trifling for what it is worth , the fact ...
... fact that they hap- pened to come together in the Venetian service an even more accidental accident . Also that Torvald Helmer might just as likely have married Mrs Nickelby as Nora . Granting this trifling for what it is worth , the fact ...
Página 685
... fact . We are a historian , not a critic . Whether the fact gives pleasure or the reverse matters little : it is a fact ! Let us resume , therefore , and try to demonstrate that modern genius springs from the fruitful union of the ...
... fact . We are a historian , not a critic . Whether the fact gives pleasure or the reverse matters little : it is a fact ! Let us resume , therefore , and try to demonstrate that modern genius springs from the fruitful union of the ...
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Otras ediciones - Ver todas
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write