Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 40
... effect is best produced when the events come on us by surprise ; and the effect is heightened when , at the same time , they follow as cause and effect . The tragic wonder will then be greater than if they happened of themselves or by ...
... effect is best produced when the events come on us by surprise ; and the effect is heightened when , at the same time , they follow as cause and effect . The tragic wonder will then be greater than if they happened of themselves or by ...
Página 806
... effect of the drama , and will be discussed later . The end of the action must , also , appear as the intelligible and inevitable result of the entire course of the action , the conjunction of forces ; and right here , the inherent ...
... effect of the drama , and will be discussed later . The end of the action must , also , appear as the intelligible and inevitable result of the entire course of the action , the conjunction of forces ; and right here , the inherent ...
Página 828
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write