Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
Dentro del libro
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Página 272
... believe them in the Bible , but we should be rather apt to question them in the Bible because we should believe nothing of them in a play . If what I have delivered is founded on good and solid reasons , we ought to content ourselves ...
... believe them in the Bible , but we should be rather apt to question them in the Bible because we should believe nothing of them in a play . If what I have delivered is founded on good and solid reasons , we ought to content ourselves ...
Página 564
... believe that the theatre , like religion , is about to be re- placed as a dying institution for whose enjoyment we lack the necessary quali- fications . Support for my view is provided by the theatre crisis through which all of Europe ...
... believe that the theatre , like religion , is about to be re- placed as a dying institution for whose enjoyment we lack the necessary quali- fications . Support for my view is provided by the theatre crisis through which all of Europe ...
Página 766
... believe it is a risk worth running . I do not believe we have managed to revitalize the world . we live in , and I do not believe it is worth the trouble of clinging to ; but I do propose something to get us out of our marasmus ...
... believe it is a risk worth running . I do not believe we have managed to revitalize the world . we live in , and I do not believe it is worth the trouble of clinging to ; but I do propose something to get us out of our marasmus ...
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write