Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 36
... action ; and an action implies personal agents , who necessarily possess certain distinctive qualities both of character and thought ; for it is by these that we qualify actions them- selves , and these - thought and character - are the ...
... action ; and an action implies personal agents , who necessarily possess certain distinctive qualities both of character and thought ; for it is by these that we qualify actions them- selves , and these - thought and character - are the ...
Página 235
... Action , of Time , and of Place I maintain , then , and I have already said so , that in comedy unity of action consists in unity of intrigue or of obstacle to the designs of the principal characters ; and in tragedy , it consists in ...
... Action , of Time , and of Place I maintain , then , and I have already said so , that in comedy unity of action consists in unity of intrigue or of obstacle to the designs of the principal characters ; and in tragedy , it consists in ...
Página 806
... action must , also , appear as the intelligible and inevitable result of the entire course of the action , the conjunction of forces ; and right here , the inherent necessity must be keenly felt ; the close must , however , represent ...
... action must , also , appear as the intelligible and inevitable result of the entire course of the action , the conjunction of forces ; and right here , the inherent necessity must be keenly felt ; the close must , however , represent ...
Contenido
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Derechos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Vista de fragmentos - 1974 |
Términos y frases comunes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write