Studio International, Volumen195

activity alienation alternative American appear architecture artists audience become British building California called Centre century collection colour concerned contemporary continue Council course created critics cultural decade drawings early established exhibition exist experience expression fact feel function Gallery human idea important individual institutions interest International involved issue Italy John kind less lives London look materials means movement Museum nature never object painter painting park particular past performance perhaps period photographs picture political possible present problem production question recent result sculpture seems sense seventies social society space Street structure Studio style things thought tion tradition turn University whole York Yves Klein