Characters of Shakespear's Plays, & Lectures on the English PoetsMacmillan, 1903 - 422 páginas |
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... Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is not violent ...
... Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is not violent ...
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... ROMEO AND JULIET ROMEO AND JULIET is the only tragedy which Shakespear has written entirely on a love - story . It is supposed to have been his first play , and it deserves to stand in that proud rank . There is the buoyant spirit of ...
... ROMEO AND JULIET ROMEO AND JULIET is the only tragedy which Shakespear has written entirely on a love - story . It is supposed to have been his first play , and it deserves to stand in that proud rank . There is the buoyant spirit of ...
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William Hazlitt. We have heard it objected to ROMEO AND JULIET , that it is founded on an idle passion between a boy and a girl , who have scarcely seen and can have but little sympathy or rational esteem for one another , who have had ...
William Hazlitt. We have heard it objected to ROMEO AND JULIET , that it is founded on an idle passion between a boy and a girl , who have scarcely seen and can have but little sympathy or rational esteem for one another , who have had ...
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... fills the void to come with the warmth of our desires , with our gayest hopes , and brightest fancies . It is the obscurity spread before it that colours the prospect of life with hope , as it is the cloud ROMEO AND JULIET 85.
... fills the void to come with the warmth of our desires , with our gayest hopes , and brightest fancies . It is the obscurity spread before it that colours the prospect of life with hope , as it is the cloud ROMEO AND JULIET 85.
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Términos y frases comunes
admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion Perdita person play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth