said to hove read all the Greek and Latin writers. With what limitations this universality is to be understood, who shall inform us?

It might be supposed, that he who read so much should have done nothing else; but Milton found time to write the Masque of Comus, which was presented at Ludlow, then the residence of the lordpresident of Wales, in 1634; and had the honour of being acted by the earl of Bridgewater's sons and daughter. The fiction is derived from Homer's Circe:* but we never can refuse to any modern the liberty of borrowing from Homer:

a quo ceu fonte perenni Vatum Pieriis ora rigantur aquis.

His next production was Lycidas, en elegy, written

* It has, nevertheless, its foundation in reality. The earl of Bridgewater being president of Wales in the year 1634, had his residence at Ludlow-castle in Shropshire, at which time lord Brack. ly and Mr. Egerton, his sons, and lady Alice Egerton, his daughter, passing through a place called the Hay-wood forest, or Haywood in Herefordshire, were henighted and the lady for a short time lost : this accident being related to their father, upon their arrival at his castle, Milton, at the request of his friend Henry Lawes, who taught musick in the family, wrote this masque. Lawes set it to musick, and it was acted on Michaelmas night; the two brothers, the you,,g lady, and Lawes himself, bearing each a part in the representation.

The lady Alice Egerton became afterwards the wife of the earl of Carbury, who, at his seat called Golden-grove, in Caermerthen shire, harboured Dr. Jeremy Taylor in the time of the usurpation. Among the doctor's sermons is one on her death, in which her character is finely pourtrayed. Her sister, lady Mary, was given in marriage to lord Herbert of Cherbury.

Notwithstanding Dr. Johnson's assertion, that the fiction is derived from Homer's Circe, it may be conjectured, that it was rather taken from the Comus of Erycius Puteanus, in which, under the fiction of a dream, the characters of Comus and his attendants are delineated, and the delights of sensualists exposed and reprobated. This little tract was published at Louvain, in 1611, and afterwards at Oxford, in 1634, the very year in which Milton's Comus was written. H.

Milton evidently was indebted to the Old Wives Tale of George Peele for the plan of Comus. R.

in 1637, on the death of Mr. King, the son of sir John King, secretary for Ireland in the time of Elizabeth, James, and Charles. King was much a favourite at Cambridge, and many of the wits joined to do honour to his memory. Milton's acquaintance with the Italian writers may be discovered by a mixture of longer and shorter verses, according to the rules of Tuscan poetry, and his malignity to the church, by some lines which are interpreted as threatening its extermination.

He is supposed about this time to have written his Arcades; for, while he lived at Hortan, he used sometimes to steal from his studies a few days, which he spent at Harefield, the house of the countess dowager of Derby, where the Arcades made part of a dramatick entertainment.

He began now to grow weary of the country, and had some purpose of taking chambers in the Inns of Court, when the death of his mother'set him at liberty to travel, for which he obtained his father's consent, and sir Henry Wotton's directions; with the celebrated precept of prudence, i pensieri stretti, ed il viso sciolto; "thoughts close, and looks loose."

In 1638 he left. England, and went first to Paris; where, by the favour of lord Scudamore, he had the opportunity of visiting Grotius, then residing at the French court as ambassador from Christiana of Sweden. From Paris he hasted into Italy, of which he had with particular diligence studied the language and literature; and though he seems to have intended a very quick perambulation of the country, staid two months at Florence; where he found his way into the academies, and produced his compositions with such applause as appears to have exalted him in his own opinion, and confirmed him in the hope, that, by labour

and intense study, which," says he, "I take to be my portion in this life, joined with a strong propensity of nature," he might "leave something so written to after-times, as they should not willingly let it die."

It appears in all his writings that he had the usual concomitant of great abilities, a lofty and steady confidence in himself, perhaps not without some contempt of others; for scarcely any man ever wrote so much and praised so few. Of his praise he was very frugal; as he set its value high, and considered his mention of a name as a security against the waste of time, and a certain preservative from oblivion.

At Florence he could not indeed complain that his merit wanted distinction. Carlo Dati presented him with an encomiastick inscription, in the tumid lapidary style; and Francini wrote him an ode, of which the first stanza is only empty noise; the rest are perhaps too diffuse on common topics: but the last is natural and beautiful.

From Florence he went to Sienna, and from Sienna to Rome, where he was again received with kindness by the learned and the great. Holstenius, the keeper of the Vatican library, who had resided three years at Oxford, introduced him to cardinal Barberini: and he, at a musical entertainment, waited for him at the door, and led him by the hand into the assembly. Here Selvaggi praised him in a distich, and Salsilli in a te̱trastick; neither of them of much value. The Italians were gainers by this literary commerce; for the encomiums with which Milton repaid Salsilli, though not secure against a stern grammarian, turn the balance indisputably in Milton's favour.

Of these Italian testimonies, poor as they are, he was proud enough to publish them before his poems;

though he says, he cannot be suspected but to have known that they were said non tam de se, quam supra

se.

At Rome, as at Florence, he staid only two months; a time indeed sufficient, if he desired only to ramble with an explainer of its antiquities, or to view palaces and count pictures; but certainly too short for the contemplation of learning, policy, or manners.

From Rome he passed on to Naples, in company of hermit, a companion from whom little could be expected; yet to him Milton owed his introduction to Manso, marquis of Villa, who had been before the patron of Tasso. Manso was enough delighted with his accomplishments to honour him with a sorry distich, in which he commends him for every thing but his religion and Milton, in return, addressed him in a Latin poem, which must have raised an high opinion of English elegance and literature.

His purpose was now to have visited Sicily and Greece; but, hearing of the differences between the king and parliament, he thought it proper to hasten home, rather than pass his life in foreign amusements while his countrymen were contending for their rights. He therefore came back to Rome, though the merchants informed him of plots laid against him by the Jesuits, for the liberty of his conversations. on religion. He had sense enough to judge that there was no danger, and therefore kept on his way, and acted as before, neither obtruding nor shunning controversy. He had perhaps given some offence by visiting Galileo, then a prisoner in the Inquisition for philosophical heresy; and at Naples he was told by Manso, that, by his declarations on religious questions, he had excluded himself from some distinctions which he should otherwise have

paid him. But such. conduct, though it did not please, was yet sufficiently safe; and Milton staid two months more at Rome, and went on to Florence without molestation.

From Florence he visited Lucca. He afterwards went to Venice; and, having sent away a collection of musick and other books, travelled to Geneva, which he probably considered as the metropolis of orthodoxy.

Here he reposed as in a congenial element, and became acquainted with John Diodati and Frederick Spanheim, two learned professors of divinity. From Geneva he passed through France; and came home, after an absence of a year and three months.

At his return he heard of the death of his friend Charles Diodati; a man whom it is reasonable to suppose of great merit, since he was thought by Milton worthy of a poem, intituled Epitaphium Damonis, written with the common but childish imitation of pastoral life.

He now hired a lodging at the house of one Russel, a taylor, in St. Bride's Church-yard, and undertook the education of John and Edward Philips, his sister's sons. Finding his rooms too little, he took a house and garden in Aldergate-street,* which was not then so much out of the world as it is now; and chose

* This is inaccurately expressed: Philips, and Dr. Newton after him, say a garden-house, i. e. a house situated in a garden, and of which there were, especially in the north suburbs of London, very many, if not few else. The term is technical, and frequently occurs in the Athen. and Fast. Oxon. The meaning thereof may be collected from the article Thomas Farnaby, the famous school. master, of whom the author says, that he taught in Goldsmith's Rents, in Cripplegate-parish, behind Redcross-street, where were large gardens and handsome houses. Milton's house in Jewin-street was also a garden-house, as were indeed most of his dwellings after his settlement in London. 11.