Shakespearean CriticismMichelle Lee Cengage Gale, 2004 - 448 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Página 125
... speak for them " ( COR 2.3.5-7 ) , and Brutus ' reference to the people's " stinking breaths " which must be ... speak , and speak in the voices of the people , which amounts to no less than sounding the vox populi , i.e. , standing for ...
... speak for them " ( COR 2.3.5-7 ) , and Brutus ' reference to the people's " stinking breaths " which must be ... speak , and speak in the voices of the people , which amounts to no less than sounding the vox populi , i.e. , standing for ...
Página 126
... speak ' for themselves ' . Facts cannot speak of course : even the ultimately successful , hence apparently totally unrhetorical oration is in need of some words . But these words should be uttered for the facts , not about them , and ...
... speak ' for themselves ' . Facts cannot speak of course : even the ultimately successful , hence apparently totally unrhetorical oration is in need of some words . But these words should be uttered for the facts , not about them , and ...
Página 127
... speak , who could tell who is speaking for whom : is it the object , the image , that has begged our voice , or is it us , who are now bidding it " speak for [ us ] " ( JC 3.2.217 ) ? This ambiguity and interchange- ability of object ...
... speak , who could tell who is speaking for whom : is it the object , the image , that has begged our voice , or is it us , who are now bidding it " speak for [ us ] " ( JC 3.2.217 ) ? This ambiguity and interchange- ability of object ...
Contenido
Cymbeline | 1 |
Henry VIII | 6 |
Character Studies | 11 |
Derechos de autor | |
Otras 27 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
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