Shakespearean CriticismMichelle Lee Cengage Gale, 2004 - 448 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
Dentro del libro
Resultados 1-3 de 59
Página 99
... associated not only with disor- dered behavior but also with contemplative thought , the emblematic treatment accorded it in the graveyard scene is appropriate as a way of confirming the portrait of Hamlet as a thinker , already ...
... associated not only with disor- dered behavior but also with contemplative thought , the emblematic treatment accorded it in the graveyard scene is appropriate as a way of confirming the portrait of Hamlet as a thinker , already ...
Página 133
... associated with truth as her mother . Furthermore , as a daughter she is emblematic of renewal and growth - elements that are reflected in the linking of Perdita with Flora , the classical goddess of flowers who is often associated with ...
... associated with truth as her mother . Furthermore , as a daughter she is emblematic of renewal and growth - elements that are reflected in the linking of Perdita with Flora , the classical goddess of flowers who is often associated with ...
Página 286
... associated the play with the Mystery Plays . Although in the title of his book Shake- speare's Mystery Play : A Study of " The Tempest " Still identified it correctly , he did not make a comparison of the play with one or more of the ...
... associated the play with the Mystery Plays . Although in the title of his book Shake- speare's Mystery Play : A Study of " The Tempest " Still identified it correctly , he did not make a comparison of the play with one or more of the ...
Contenido
Cymbeline | 1 |
Henry VIII | 6 |
Character Studies | 11 |
Derechos de autor | |
Otras 27 secciones no mostradas
Otras ediciones - Ver todas
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
Antonio Ariel associated audience become Belarius body politic Britain Caesar Caliban Cambridge characters Christ Christian Cloten conscience Coriolanus court critics Cymbeline Cymbeline's daughter death divine dramatic early modern edition Elizabeth Elizabethan emblem emblem books emblematic ence England English Erwin Panofsky essay father Ferdinand figure Guiderius Hamlet Henry Henry VI heroic human Iachimo icon iconography imagery Imogen Innogen island Jacobean James John King Lear language London Lord Lucrece Macbeth magic manacle marriage Mars masque means melancholy Miranda moral murder nature Ophelia Othello performance Pericles play play's Posthumus Posthumus's Prince Prospero Queen rape reference Renaissance rhetorical Richard Richard III Roman Rome royal Saturn scene sense sexual Shake Shakespeare soul speare speare's speech spirit stage Stephano suggests Sycorax symbolic Tempest theater thee thou throne tion Titus Andronicus tradition tragedy Univ University Press visual Wild Winter's Tale words wounds York