And every drop cries vengeance for his death,— 'Gainst thee, fell Clifford,—and thee, false French woman. North. Beshrew me, but his passions 15 move me so, That hardly can I check my eyes from tears. York. That face of his the hungry cannibals. Would not have touch'd, would not have stain'd with blood: But you are more inhuman, more inexorable,— 16, [He gives back the Handkerchief. Hard-hearted Clifford, take me from the world; 15 Passions for griefs. Thus in The Tempest :- One of their kind, that relish all as sharply, And in The Two Gentlemen of Verona : 16 Madam, 'twas Ariadne passioning For Theseus' perjury and unjust flight.' Q. Mar. What, weeping-ripe, my Lord Northumberland? Think but upon the wrong he did us all, And that will quickly dry thy melting tears. Clif. Here's for my oath, here's for my father's death. [Stabbing him. Q. Mar. And here's to right our gentle-hearted king. [Stabbing him. York. Open thy gate of mercy, gracious God! My soul flies through these wounds to seek out thee. [Dies. Q. Mar. Off with his head, and set it on York gates; So York may overlook the town of York 17. [Exeunt. АСТ II. SCENE I. A Plain near Mortimer's Cross in Drums. Enter EDWARD and RICHARD, with their Forces, marching. *Edw. I wonder, how our princely father 'scap'd; * Or whether he be 'scap'd away, or no, * From Clifford's and Northumberland's pursuit; * Had he been ta'en, we should have heard the news; Had he been slain, we should have heard the news; Or, had he 'scap'd, methinks, we should have heard 17 This gallant prince fell by his own imprudence, in consequence of leading an army of only five thousand men to engage with twenty thousand, and not waiting for the arrival of his son the earl of March, with a large body of Welshmen. He and Cecily his wife, with his son Edmund, earl of Rutland, were originally buried in the chancel of Fotheringay church. Peacham, in his Complete Gentlemen, 1627, p. 153, gives an account of the destruction of their monuments, of the disinterment, &c.; and of their reinterment in the church by command of Queen Elizabeth under a mean monument of plaster. The happy tidings of his good escape. And watch'd him how he singled Clifford forth, Methought, he bore him1 in the thickest troop, As doth a lion in a herd of neat 2: * Or as a bear, encompass'd round with dogs; * Who having pinch'd a few, and made them cry, * The rest stand all aloof, and bark at him. *So far'd our father with his enemies: * So fled his enemies my warlike father; Methinks, 'tis prize3 enough to be his son. See, how the morning opes her golden gates, And takes her farewell of the glorious sun*! * How well resembles it the prime of youth, * Trimm'd like a younker, prancing to his love! Edw. Dazzle mine eyes, or do I see three suns? Rich. Three glorious suns, each one a perfect sun5; Not separated with the racking clouds 6, 1 Demeaned himself. 2 Neat cattle, cows, oxen, &c. 3 Prize is here again used for estimation. 4 Aurora takes for a time her farewell of the sun, when she dismisses him to his diurnal course. 5 This circumstance is mentioned both by Hall and Holinshed. At which tyme the sun (as some write) appeared to the earl of March like three sunnes, and sodainely joyned altogether in one; upon whiche sight hee tooke such courage, that he fiercely setting on his enemyes put them to flight; and for this cause menne ymagined that he gave the sun in his full bryghtnesse for his badge or cognizance.'-Holinshed. 6 i. e. the clouds floating before the wind like a reek or vapour. This verb, though now obsolete, was formerly in common use; and it is now provincially common to speak of the rack of the weather. like inconstant clouds That, rack'd upon the carriage of the winds, Thus in Beaumont and Fletcher's Four Plays in One: But sever'd in a pale clear-shining sky. See, see! they join, embrace, and seem to kiss, Now are they but one lamp, one light, one sun. * Edw. 'Tis wondrous strange, the like yet never heard of. I think, it cites us, brother, to the field; Each one already blazing by our meeds, Should, notwithstanding, join our lights together, 6 And overshine the earth, as this the world. 'Whate'er it bodes, henceforward will I bear Upon my target three fair shining suns. Rich. Nay, bear three daughters;-by your leave I speak it, * You love the breeder better than the male. Enter a Messenger, • But what art thou, whose heavy looks foretell Some dreadful story hanging on thy tongue? Mess. Ah, one that was a woful looker on, When as the noble duke of York was slain, * Your princely father, and my loving lord. 'Edw. O, speak no more! for I have heard too much8. 'Rich. Say how he died, for I will hear it all. • Mess. Environed he was with many foes; *And stood against them as the hope of Troy9 7 Meed anciently signified merit as well as reward; and is so explained by Cotgrave, Philips, and others. The word is used in Timon of Athens in the same sense: No meed but he repays Sevenfold above itself." The generous tenderness of Edward, and savage fortitude of Richard, are well distinguished by their different reception of their father's death. 9 Hector. Against the Greeks, that would have enter'd Troy. * But Hercules himself must yield to odds; * And many strokes, though with a little axe, * Hew down and fell the hardest-timber'd oak. By many hands your father was subdu'd; But only slaughter'd by the ireful arm Of unrelenting Clifford, and the queen : 6 Who crown'd the gracious duke in high despite; Laugh'd in his face; and, when with grief he wept, The ruthless queen gave him, to dry his cheeks, A napkin steeped in the harmless blood Of sweet young Rutland, by rough Clifford slain: And, after many scorns, many foul taunts, They took his head, and on the gates of York They set the same; and there it doth remain, The saddest spectacle that e'er I view'd. Edw. Sweet duke of York, our prop to lean upon; Now thou art gone, we have no staff, no stay!* O Clifford, boist'rous Clifford, thou hast slain *The flower of Europe for his chivalry; * And treacherously hast thou vanquish'd him, *For, hand to hand, he would have vanquish'd thee! Now my soul's palace is become a prison: Ah, would she break from hence! that this my body 'Rich. I cannot weep; for all my body's moisture Scarce serves to quench my furnace-burning heart: *Nor can my tongue unload my heart's great burden; *For selfsame wind, that I should speak withal, *Is kindling coals, that fire all my breast, * And burn me up with flames that tears would quench. * To weep, is to make less the depth of grief: |