The author appears to have thought that if it were everywhere clear • But Gebir when he heard of her approach Faint, hanging on her handmaids, and her knees For there was pity in them at that hour. With gentle speech, and more with gentle looks, He sooth'd her, but lest Pity go beyond And crost Ambition lose her lofty aim, Bending, he kist her garment, and retired.'-pp. 3—4. This want of gallantry upon the part of the hero, is to be imputed, we suppose, to his ambition; being already smitten by her charms, if he allowed himself to be melted by her tears, he must have abandoned his projects of conquest. He must have his adviser too, and straight he proceeds to his brother, Tamar, who happens to be a shepherd, entrusted with the care of the royal flocks. Him he finds in a most doleful mood on the banks of the Nile, wholly regardless of his pastoral charge, for he was already lost in love' with a fair nymph of the river, with whom he first became acquainted in a wrestling match, to which she defied him. He tells the story of his passion, which sufficiently convinces Gebir of his own folly, and forthwith resolving to make the best of his new acquisitions, and to execute the request of Charoba, he orders the city of Gadir to be rebuilt. But all the labours of the week are destroyed on the seventh day by some invisible power. This astonishes and perplexes Gebir; he and his people fast and pray, to avert the anger of the Gods, but in vain. Under the hope that the nymph, who held Tamar's heart in chains, could disclose the cause of this phenomenon, he persuades his brother to allow him to meet her in his shepherd's garb. C They parted here: And Gebir bending through the woodlands cull'd 15. The moment for the assignation being arrived, the nymph suddenly springs upon her supposed lover, and another wrestling match ensues, in which, however, she is vanquished by the superior strength of the king. Her horror is great when she discovers that he is not Tamar, and upon his pledge that her lover would be restored to her, she reveals to him a sacrificial ceremony, described after the manner of Homer, by the strict observance of which he might turn away the wrath of the demons, who, by their incantations, had marred the labours of his people. Having complied with the injunctions of the nymph, he finds himself suddenly transported to the regions of Erebus and night, through which he is led, after the Virgilian fashion, by a spirit named Aroar! He is shown the Purgatory of those who were still not sufficiently worthy of higher bliss; thence he passes to the Elysian fields, and, being a little curious about his ancestors, he is introduced to them by Aroar, and finds them in the midst of all sorts of dreadful punishments. They confess to him the crimes which they had perpetrated in life, to which they had been urged by ambition, and Gebir returns to earth a reformed man. Meantime Charoba's heart feels not indifferent towards him. She had been captivated at first sight by his manly charms, and hearing of his proceedings from Dalica, who knows every thing, she becomes jealous of the nymph. Dalica recommends her to give a feast to the strangers, a hint which she receives with delight, as she might thus have an opportunity of once more beholding Gebir. The poet has prodigally displayed his imagination in the description of the festival which follows. 'Then went the victims forward crown'd with flowers, In gilded barges went the female train, And, bearing others ripple near, undrew Whom they desired, how pleasant was the breeze! Sweet airs of music ruled the rowing palms, 'Meantime, with pomp august and solemn, borne Askance and riot with reluctant horn, And steeds and stately camels in their train. 'But silence went throughout, e'en thoughts were husht, When to full view of navy and of camp Now first expanded the bare-headed train. Majestic, unpresuming, unappall'd, Onward they marched, and neither to the right Nor to the left, tho' there the city stood, Turn'd they their sober eyes; and now they reacht The lone pavilion of the Iberian king : He saw them, he awaited them, he rose, He hail'd them, " Peace be with you:" they replied King of the western world, be with you peace."-pp. 39–42. Dalica, mistaking the stately reserve of Charoba, upon the subject of her passion, for hatred of the stranger, resolves on his destruction. For this purpose she takes a journey to a sorceress at some distance, from whom she obtains a deadly robe, and here the poet treats us with an elaborate description of the incantations that were used on the occasion. Meantime, the day arrives that was appointed for the marriage of Tamar and his beloved nymph. The brave Iberians far the beach o'erspread Ere dawn, with distant awe; none hear the mew, Now suddenly the conch above the sea Sounds, and goes sounding thro' the woods profound. Roll from the distant mountain down the shore: Now shines the Nymph to human eye reveal'd, The shepherd; he shrinks back, of breath bereft : Gebir surveyed the concourse from the tents, To hang midway betwixt the earth and skies.'-pp. 54-55. It would be unjust to deny that the whole of this description is fraught with the finest spirit of antiquity. The imagination, while we read it, luxuriates in the scene which passes, as if by enchantment, before us. The mystic sound of the conch over the sea, the purple mist, the group of attendant nymphs tuning their shells, and weaving chaplets, and guarding the wreathed door of the nuptial bower from the dolphins, are all in the true character of poetry. In a similar strain, the nymph, beguiling Tamar from apprehension of the dangers that are impending over his brother Gebir, details to him the pleasant occupations which she has in store for him. "Thus we may sport at leisure when we go The spritely Nymph whom constant Zephyr woos, With here and there a flower: his lofty brow Will harbour us from ill." While thus she spake, And strength and pleasure beam'd upon his brow. To his astonisht and delighted view The sacred ile that shrines the queen of love. The cloudlike cliffs and thousand towers of Crete, VOL. II. (1831.) NO. II. Q |