Shakespeare's Hyperontology: Antony and CleopatraFairleigh Dickinson University Press, 1990 - 199 páginas Utilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
Contenido
Acknowledgments | 9 |
Presence and Oblivion | 23 |
To Follow Faster | 46 |
Derechos de autor | |
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Términos y frases comunes
absence absolute action actually affirms already amounts Antony and Cleopatra Antony's approach arriving become begin bring Caesar calls comes complete conception course created critical death difference difficulty discourse discussion dramatic dying economy Egypt emphasized Enobarbus entire erotic event excess fact fall feeling final force give hand heroic honor human hyperontological Ibid identifies identity imagination important infinite interesting kind language leaving linguistic logic London longer look loss lovers master means military monument moral move movement nature negativity never notion object observed once ontodramatic opposite passage performance perhaps play pleasure position possibility precisely presence produced pure question reality remains restricted Roman Rome scene seems sense Shakespeare simply space spending spirit stage strange suggests takes thee things thou thought tion trace Tragedy tragic turn unit University Press Venus York
Referencias a este libro
Shakespeare: the Roman Plays Graham Holderness,Bryan Loughrey,Andrew Murphy Vista de fragmentos - 1996 |