 Eisenstein — while asseverating the fundamentally intellectual nature of viewing: ". . .our cinema is not altogether without parents and without pedigree, without a past, without the traditions and rich cultural heritage of the past epochs.  Classical Myth and Culture in the Cinema - Página 19editado por - 2001 - 360 páginasVista previa limitada - Acerca de este libro
 | Wendell M. Aycock, Michael Keith Schoenecke - 1988 - 208 páginas
...realist tradition. Eisenstein, referring to Griffith, summed up this strong involvement in literature: Our cinema is not altogether without parents and without...rich cultural heritage of the past epochs. It is only thoughtless and presumptuous people who can erect laws and an esthetic for cinema, proceeding from... | |
 | Anthony Davies - 1990 - 240 páginas
...the actualization of Shakespeare must be wholly discarded. Eisenstein is right when he maintains that 'cinema is not altogether without parents and without...without the traditions and rich cultural heritage of past epochs. It is only very thoughtless and presumptuous people who can erect laws and an aesthetic... | |
 | Erica Sheen, Robert Giddings - 2000 - 258 páginas
...failed to see the connection between film and earlier modes of artistic expression or entertainment - 'It is only very thoughtless and presumptuous people...from premises of some incredible virgin-birth of this art'1 - and asserted that Dickens's novels bore the same relation to ... [his readers] that the film... | |
 | Ben Singer - 2001 - 388 páginas
..."Dickens, Griffith, and Film Today": It is always f leasing to recognize again and again the fact that our cinema is not altogether without parents and without...from premises of some incredible virginbirth of this art!2 Studying melodrama's transition from stage to screen is particularly interesting since, to belabor... | |
 | James Chapman - 2003 - 488 páginas
...And, if Eisenstein adhered to a great man view of film history, he nevertheless also recognized 'that our cinema is not altogether without parents and without...traditions and rich cultural heritage of the past epochs'.20 EXHIBITION AND AUDIENCES The audience remains the great unknown factor of film history.... | |
 | Toby Miller, Robert Stam - 2004 - 448 páginas
...editing, Deren achieves her goal of forging a "creative film form" (69). 3 Editing and the Other Arts [O]ur cinema is not altogether without parents and...without the traditions and rich cultural heritage of past epochs. Sergei Eisenstein, "From 'Dickens, Griffith and the Film Today' " One of the principal... | |
 | Frank Rosengarten - 2007 - 298 páginas
...in some respects James tended to cut film art away from earlier centuries, Eisenstein insisted that "our cinema is not altogether without parents and...traditions and rich cultural heritage of the past epochs." James had two titles in mind for the work now entitled American Civilization. One was the nondescript... | |
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