 ... feels as if in exile - exiled not only from the stage but also from himself. With a vague sense of discomfort he feels inexplicable emptiness: his body loses its corporeality, it evaporates, it is deprived of reality, life, voice, and the noises caused...  Classical Myth and Culture in the Cinema - Página 16editado por - 2001 - 360 páginasVista previa limitada - Acerca de este libro
 | Linda Ben-Zvi - 1992 - 282 páginas
...evaporates, it is deprived of reality, life, voice, and the noise caused by his moving about, in order to be changed into a mute image, flickering an instant on the screen, then vanishing into silence" (229). The first element, then, in the shift of Not I from stage to television screen is the loss of... | |
 | Eduardo González - 1992 - 304 páginas
...evaporates, it is deprived of reality, life, voice, and the noises caused by his moving about, in order to be changed into a mute image, flickering an instant on the screen, then vanishing into silence." The actor migrates from the camera work to the projector, which "will play with his shadow before the public,"... | |
 | David J. Levin - 1993 - 292 páginas
...evaporates, it is deprived of reality, life, voice, and the noises caused by moving about, in order to be changed into a mute image, flickering an instant on the screen, then vanishing into silence." This situation might also be characterized as follows: for the first time — and this is the effect... | |
 | Clive Barker, Simon Trussler - 1995 - 98 páginas
...it is deprived of reality, life, voice, and the noises aroused by his moving about, in order to be changed into a mute image, flickering an instant on...and he himself must be content to play before the camera.94 In filming performance, even here there are choices, for one may decide to film before an... | |
 | Sarah Franklin, Helena Ragone, Helena Ragoné - 1998 - 260 páginas
...evaporates, it is deprived of reality, life, voice, and the noises caused by his moving about, in order to be changed into a mute image, flickering an instant on the screen, then vanishing into silence. (Benjamin 1936: 229. reproducing a quote from Leon Pierre-Quint 1927) The actor is presented to us... | |
 | Russell Jackson - 2000 - 364 páginas
...evaporates, it is deprived of reality, life, voice, and the noises caused by his moving about, in order to be changed into a mute image, flickering an instant on...and he himself must be content to play before the camera.'11 The actor's body in the age of mechanical reproduction was further threatened with the introduction... | |
 | Michael McKeon - 2000 - 972 páginas
...evaporates, it is deprived of reality, life, voice, and the noises caused by his moving about, in order to be changed into a mute image, flickering an instant on...silence. . . . The projector will play with his shadow betore the public, and Walter Benjamin he himself must be content to play before the camera." ' This... | |
 | Mike Featherstone - 2000 - 360 páginas
...emptiness: his body loses its corporeality, it evaporates, it is deprived of reality, life, voice. . . . The projector will play with his shadow before the...and he himself must be content to play before the camera. (1979: 231) Sound-film, Benjamin adds, compounds this sense of exile by requiring the actor... | |
 | Chris Jenks - 2003 - 298 páginas
...evaporates, it is deprived of reality, life, voice, and the noises caused by his moving about, in order to be changed into a mute image, flickering an instant on...and he himself must be content to play before the camera."* This situation might also be characterized as follows: for the first time - and this is the... | |
 | Philip Simpson, Andrew Utterson, Karen J. Shepherdson - 2004 - 346 páginas
...evaporates, it is deprived of reality, life, voice, and the noises caused by his moving about, in order to be changed into a mute image, flickering an instant on...and he himself must be content to play before the camera."17 This situation might also be characterized as follows: for the first time — and this is... | |
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