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admiration beautiful Biographia Literaria Book Chap CHAPTER character characteristic Christ's Hospital Coleridge Coleridge's common composition conversation convey Cottle defects delight diction Dykes Campbell Edinburgh Review edition effect English equally Essays in Criticism excellence excitement Excursion expression faculties fancy feelings former greater Greek heart honour human imagery images imagination imitation instance judgment language less lines literary living Lyrical Ballads Matthew Arnold meaning merit metre metrical Milton mind moral nature Nether Stowey object original passages passion peculiar perhaps philosophical phrases Pindar pleasure poems Poesy poet poet's poetic genius praise Prefaces Prelude present principles prose R. H. Hutton reader Review rhyme S. T. Coleridge Samuel Taylor Coleridge says sense Shakespeare Sonnet soul Southey speak spirit Stopford Brooke style taste thee things thou thought tion truth verse Walter Pater whole words Wordsworth writings youth
Página 48 - Ballads? 5 in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic ; yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension «° of disbelief for the moment, which constitutes poetic faith.
Página 121 - The dew shall weep thy fall to-night ; For thou must die. Sweet Rose, whose hue, angry and brave, Bids the rash gazer wipe his eye, Thy root is ever in its grave, And thou must die. Sweet Spring, full of sweet days and roses, A box where sweets compacted lie, My music shows ye have your closes, And all must die.
Página 86 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
Página 47 - In the one, the incidents and agents were to be, in part at least, supernatural ; and the excellence aimed at, was to consist in the interesting of the affections by the dramatic truth of such emotions, as would naturally accompany such situations, supposing them real.
Página 48 - Wordsworth, on the other hand, was to propose to himself, as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
Página 96 - By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature.
Página 62 - Saturn laugh'd and leap'd with him. Yet nor the lays of birds nor the sweet smell Of different flowers in odour and in hue Could make me any summer's story tell, Or from their proud lap pluck them where they grew ; Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose : They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play.
Página 62 - And peace proclaims olives of endless age. Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since, spite of him, I'll live in this poor rhyme, While he insults o'er dull and speechless tribes: And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent.
Página 52 - A poem is that species of composition which is opposed to works of science, by proposing for its immediate object pleasure, not truth; and from all other species (having this object in common with it) it is discriminated by proposing to itself such delight from the whole as is compatible with a distinct gratification from each component part.