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For women, born to be control'd,
Stoop to the forward and the bold;
Affect the haughty and the proud,
The gay, the frolic, and the loud.
Who first the generous steed opprest;
Not kneeling did salute the beast;
But with high courage, life, and force,
Approaching, tam'd th' unruly horse.
Unwisely we the wiser East -
Pity, supposing them opprest,
With tyrants' force, whose law is will,
By which they govern, spoil, and kill:
Each nymph, but moderately fair,
Commands with no less rigour here.
Should some brave Turk, that walks among
His twenty lasses, bright and young,
And beckons to the willing dame,
Preferr'd to quench his present flame,
Behold as many gallants here,
With modest guise, and silent fear,
All to one female idol bend,
While her high pride does scarce descend
To mark their follies, he would swear,
That these her guard of eunuchs were;
And that a more majestic queen,
Or humbler slaves, he had not seen.
All this with indignation spoke,
In vain I struggled with the yoke
Of mighty love : that conquering look,
When next beheld, like lightning strook
My blasted soul, and made me bow
Lower than those I pity'd now.
So the tall stag, upon the brink
Of some smooth stream, about to drink,
Surveying there his armed head,
With shame remembers that he fled
The scorned dogs, resolves to try
The combat next; but, if their cry
Invades again his trembling ear,
He strait resumes his wonted care;
Leaves the untasted spring behind,
And, wing'd with fear, outflies the wind.


Design or Chance make others wive,
But Nature did this match contrive:
Eve might as well have Adam fled,
As she deny'd her little bed
To him, for whom Heav'n seem'd to frame,
And measure out this only dame.
Thrice happy is that humble pair,
Beneath the level of all care
Over whose heads those arrows fly
Of sad distrust and jealousy:
Secured in as high extreme,
As if the world held none but them.
To him the fairest nymphs do show
Like moving mountains topp'd with snow;
And every man a Polypheme
Does to his Galatea seem :
None may presume her faith to prove;
He proffers death, that proffers love.
Ah! Chloris' that kind Nature thus
From all the world had sever'd us:
Creating for ourselves us two,
As Love has me for only you!


Of the Present Greatness, and Joint Interest, of his Highness and this Nation.

While with a strong, and yet a gentle, hand, You bridle faction, and our hearts command, Protect us from ourselves, and from the foe, Make us unite, and make us conquer too:

Let partial spirits still aloud complain,
Think themselves injur'd that they cannot reign,
And own no liberty, but where they may
Without control upon their fellows prey.

Above the waves as Neptune show'd his face, To chide the winds, and save the Trojan race; So has your highness, rais'd above the rest, Storms of ambition, tossing us, represt.

Your drooping country, torn with civil hate, Restor'd by you, is made a glorious state; The seat of empire, where the Irish come, And the unwilling Scots, to fetch their doom.

The sea's our own: and now, all nations greet, With bending sails, each vessel of our fleet: Your power extends as far as winds can blow, Or swelling sails upon the globe may go.

Heaven (that hath plac'd this island to give law,
To balance Europe, and her states to awe,)
In this conjunction doth on Britain smile,
The greatest leader, and the greatest isle

Whether this portion of the world were rent,
By the rude ocean, from the continent,
Or thus created; it was sure design'd
To be the sacred refuge of mankind.

Hither th' oppress'd shall henceforth resort,

Justice to crave, and succour, at your court; And then your highness, not for our's alone, But for the world's protector shall be known.

Fame, swifter than your winged navy, flies Through every land, that near the ocean lies; Sounding your name, and telling dreadful news To all that piracy and rapine use.

With such a chief the meanest nation blest,
Might hope to lift her head above the rest:
What may be thought impossible to do
By us, embraced by the sea and you?

Lords of the world's great waste, the ocean, we
Whole forests send to reign upon the sea;
And every coast may trouble, or relieve:
But none can visit us without your leave.

Angels and we have this prerogative,
That none can at our happy seats arrive:
While we descend at pleasure, to invade
The bad with vengeance, and the good to aid.

Our little world, the image of the great,
Like that, amidst the boundless ocean set,
Of her own growth hath all that nature craves,
And all that's rare, as tribute from the waves.

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So, when a lion shakes his dreadful mane,
And angry grows, if he that first took pain
To tame his youth, approach the haughty beast,
He bends to him, but frights away the rest.

As the vex'd world, to find repose, at last
Itself into Augustus' arms did cast;
So England now does, with like toil opprest,
Her weary head upon your bosom rest.

Then let the Muses, with such notes as these,
Instruct us what belongs unto our peace!
Your battles they hereafter shall indite,
And draw the image of our Mars in fight;

Tell of towns storm’d, of armies over-run,
And mighty kingdoms by your conduct won;
How, while you thunder'd, clouds of dust did choke
Contending troops, and seas lay hid in smoke.

Illustrious acts high raptures do infuse,
And every conqueror creates a Muse:
Here in low strains your milder deeds we sing:
But there, my lord ' we'll bays and olive bring

To crown your head, while you in triumph ride O'er vanquish'd nations, and the sea beside; While all your neighhour princes unto you, Like Joseph's sheaves, pay reverence and bow.


Poets may boast, as safely vain,
Their works shall with the world remain :
Both bound together, live or die,
The verses and the prophecy.

But who can hope his line should long Last, in a daily-changing tongue? While they are new, envy prevails; And as that dies, our language fails.

When architects have done their part,
The matter may betray their art:
Time, if we use ill-chosen stone,
Soon brings a well-built palace down.

Poets, that lasting marble seek,
Must carve in Latin or in Greek:
We write in sand, our language grows,
And, like the tide, our work o'erflows.

Chaucer his sense can only boast,
The glory of his numbers lost
Years have defac'd his matchless strain,
And yet he did not sing in vain.

The beauties, which adorn'd that age, The shining subjects of his rage, Hoping they should immortal prove, Rewarded with success his love.

This was the gen'rous poet's scope; -
And all an English pen can hope;
To make the fair approve his flame,
That can so far extend their fame.

Verse, thus design'd, has no ill fate,
If it arrive but at the date
Of fading beauty, if it prove
But as long-liv'd as present love.


THYRsis, a youth of the inspired train,
Fair Sacharissa lov'd, but lov’d in vain:
Like Phoebus sung the no less amorous boy;
Like Daphne she, as lovely, and as coy!
With numbers he the flying nymph pursues;
With numbers, such as Phoebus' self might use !
Such is the chase, when Love and Fancy leads,
O'er craggy mountains, and through flowery meads;
Invok'd to testify the lover's care,
Or form some image of his cruel fair.
Urg'd with his fury, like a wounded deer,
O'er these he fled; and now approaching near,
Had reach'd the nymph with his harmonious lay,
Whom all his charms could not incline to stay.
Yet, what he sung in his immortal strain,
Though unsuccessful, was not sung in vain:
All, but the nymph that should redress his wrong,
Attend his passion, and approve his song.
Like Phoebus thus, acquiring unsought praise,
He catch'd at love, and fill'd his arms with bays.

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Beauty like a shadow flies,
And our youth before us dies.
Or, would youth and beauty stay,
Love hath wings, and will away.
Love hath swifter wings than Time;
Change in love to Heaven does climb
Gods, that never change their state,
Wary of their love and hate.
Phyllis' to this truth we owe
All the love betwixt us two:
Let not you and I inquire,
What has been our past desire;
0n what shepherd you have smil'd,
Or what nymphs I have beguil'd:
Leave it to the planets too,
What we shall hereafter do:
For the joys we now may prove,
Take advice of present love.

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Nor all appear, among those few,
Worthy the stock from whence they grew :
The sap, which at the root is bred,
In trees, through all the boughs is spread:
But virtues, which in parent shine,
Make not like progress through the line.
'Tis not from whom, but where, we live:
The place does oft those graces give.
Great Julius, on the mountains bred,
A flock perhaps, or herd, had led :
He ", that the world subdued, had been
But the best wrestler on the green.
'Tis art, and knowledge, which draw forth
The hidden seeds of native worth :
They blow those sparks, and make them rise
Into such flames as touch the skies.
To the old heroes hence was given
A pedigree, which reach'd to heaven:
Of mortal seed they were not held,
Which other mortals so excell’d.
And beauty too, in such excess
As yours, Zelinda claims no less.
Smile but on me, and you shall scorn,
Henceforth, to be of princes born.
I can describe the shady grove,
Where your lov'd mother slept with Jove,
And yet excuse the faultless dame,
Caught with her spouse's shape and name:
Thy matchless form will credit bring
To all the wonders I shall sing

TO A LADY singing A SONG of his composing.

Chloris, yourself you so excel,
When you vouchsafe to breathe my thought,

That, like a spirit, with this spell
Of my own teaching, I am caught.

That eagle's fate and mine are one,
Which, on the shaft that made him die,

Espy'd a feather of his own,
Wherewith he wont to soar so high.

Had Echo with so sweet a grace
Narcissus’ loud complaints return'd

Not for reflection of his face,
But of his voice, the boy had burn'd.

• Alexander.


Jons Dayden was born, probably in 1631, in the parish of Aldwincle-Allsaints, in Northamptonshire. His father possessed a small estate, acted as a justice of the peace during the usurpation, and seems to have been a presbyterian. John, at a proper age, was sent to Westminster school, of which Busby was then master; and was thence elected to a scholarship in Trinity college, Cambridge. He took his degrees of bachelor and master of arts in the university; but though he had written two short copies of verses about the time of his admission, his name does not occur among the academical poets of this period. By his father's death, in 1654, he succeeded to the estate, and, removing to the metropolis, he made his entrance into public life, under the auspices of his kinsman, Sir Gilbert Pickering, one of Cromwell's council and house of lords, and staunch to the principles then predominant. On the death of Cromwell, Dryden wrote some “Heroic Stanzas,” strongly marked by the loftiness of expression and variety of imagery which characterised his more mature efforts. They were, however, criticised with some severity. At the Restoration, Dryden lost no time in obliterating former stains; and, as far as it was possible, rendered himself peculiarly distinguished for the base servility of his strains. He greeted the king's return by a poem, entitled “Astraea Redux,” which was followed by “A Panegyric on the Coronation:” nor did Lord Chancellor Clarendon escape his encomiastic lines. His marriage with Lady Elizabeth Howard, daughter of the Earl of Berkshire, is supposed to have taken place in 1665. About this time he first appears as a writer for the stage, in which quality he composed several pieces; and though he did not display himself as a prime favourite of the dramatic muse, his facility of harmonious versification, and his splendour of poetic diction, gained him admirers. In 1667 he published a singular poem, entitled “Annus Mirabilis,” the subjects of which were, the naval war with the Dutch, and the fire of London. It was written in four-line stanzas, a form which has since gone into disuse in heroic subjects; but the piece abounded in images of genuine poetry, though intermixed with many extravagances. At this period of his life Dryden became professionally a writer for the stage, having entered into a contract with the patentees of the King's Theatre, to supply them with three plays in a year, upon the condition of being allowed the profit of one share and a quarter out of twelve shares and three quarters, into which the theatrical stock was divided. Of the plays written upon the above contract, a small proportion have kept their place on the stage, or in the closet. On the death of Sir W. Davenant, in 1608, Dryden obtained the

post of poet-laureat, to which was added the sinecure place of historiographer royal ; the joint salaries of which amounted to 2001. The tragedies composed by Dryden were written in his earlier periods, in rhyme, which circumstance probably contributed to the poetical rant by which they were too much characterised. For the correction of this fault, Villiers, Duke of Buckingham, in conjunction with other wits, wrote the celebrated burlesque drama, entitled “The Rehearsal,” of which Dryden, under the name of Bayes, was made the hero; and, in order to point the ridicule, his dress, phraseology, and mode of recitation, were exactly imitated by the actor. It does not, however, appear that his solid reputation as a poet was injured by this attack. He had the candour to acknowledge that several of the strokes were just, and he wisely refrained from making any direct reply. In 1681, and, as it is asserted, at the king's express desire, he wrote his famous political poem, entitled “Absolom and Achitophel ;” in which the incidents in the life of David were adapted to those of Charles II. in relation to the Duke of Monmouth and the Earl of Shaftesbury. Its poetry and its severity caused it to be read with great eagerness; and as it raised the author to high favour with the court party, so it involved him in irreconcilable enmity with its opponents. These feelings were rendered more acute by his “Medal, a Satire on Sedition,” written in the same year, on occasion of a medal struck by the whigs, when a grand jury returned Ignoramus to an indictment preferred against Lord Shaftesbury, for high treason. The rancour of this piece is not easily to be paralleled among party poems. In 1682, he published “Mac-Flecknoe,” a short piece, throwing ridicule upon his very unequal rival, Shadwell. In the same year, one of his most serious poems, the “Religio Laici,” made its appearance. Its purpose was to give a compendious view of the arguments for revealed religion, and to ascertain in what the authority of revelation essentially consists. Soon after this time he ceased to write for the stage. His dramatic vein was probably exhausted, and his circumstances were distressed. To this period Mr. Malone refers a letter written by him to Hyde, Earl of Rochester, in which, with modest dignity, he pleads merit enough not to deserve to starve, and requests some small employment in the customs or excise, or, at least, the payment of half a year's pension for the supply of his present necessities. He never obtained any of the requested places, and was doomed to find the booksellers his best patrons. Charles II. died in 1685, and was succeeded by his brother James II., who openly declared his attachment to the religion of Rome. It was not long

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